Baroque Books

Showing 1-50 of 1,113
La vida es sueño La vida es sueño (Paperback)
by (shelved 13 times as baroque)
avg rating 3.94 — 29,031 ratings — published 1635
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Paradise Lost Paradise Lost (Paperback)
by (shelved 10 times as baroque)
avg rating 3.86 — 186,748 ratings — published 1667
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Quicksilver (The Baroque Cycle, #1) Quicksilver (The Baroque Cycle, #1)
by (shelved 8 times as baroque)
avg rating 3.92 — 43,875 ratings — published 2003
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Don Quixote Don Quixote (Paperback)
by (shelved 6 times as baroque)
avg rating 3.91 — 312,189 ratings — published 1605
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The Confusion (The Baroque Cycle, #2) The Confusion (The Baroque Cycle, #2)
by (shelved 6 times as baroque)
avg rating 4.28 — 25,436 ratings — published 2004
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The System of the World (The Baroque Cycle, #3) The System of the World (The Baroque Cycle, #3)
by (shelved 5 times as baroque)
avg rating 4.34 — 23,192 ratings — published 2004
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Le Cid Le Cid (Mass Market Paperback)
by (shelved 4 times as baroque)
avg rating 3.59 — 17,633 ratings — published 1636
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Tartuffe Tartuffe (Paperback)
by (shelved 4 times as baroque)
avg rating 3.66 — 44,201 ratings — published 1664
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Jerusalem Delivered Jerusalem Delivered (Paperback)
by (shelved 3 times as baroque)
avg rating 3.97 — 1,913 ratings — published 1581
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Hamlet Hamlet (Paperback)
by (shelved 3 times as baroque)
avg rating 4.03 — 1,080,387 ratings — published 1601
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Bernini (Penguin Art and Architecture) Bernini (Penguin Art and Architecture)
by (shelved 3 times as baroque)
avg rating 4.10 — 248 ratings — published 1966
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The Manuscript Found in Saragossa The Manuscript Found in Saragossa (Paperback)
by (shelved 3 times as baroque)
avg rating 4.09 — 4,313 ratings — published 1847
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Andromaque Andromaque (Mass Market Paperback)
by (shelved 3 times as baroque)
avg rating 3.70 — 10,515 ratings — published 1667
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Phèdre Phèdre (Mass Market Paperback)
by (shelved 3 times as baroque)
avg rating 3.69 — 25,544 ratings — published 1677
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Don Juan Don Juan (Paperback)
by (shelved 3 times as baroque)
avg rating 3.55 — 18,587 ratings — published 1665
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Love and Louis XIV: The Women in the Life of the Sun King Love and Louis XIV: The Women in the Life of the Sun King (Hardcover)
by (shelved 3 times as baroque)
avg rating 3.88 — 8,107 ratings — published 2006
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Gedichte Gedichte (Paperback)
by (shelved 2 times as baroque)
avg rating 4.06 — 47 ratings — published 1664
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Le Malade imaginaire Le Malade imaginaire (Mass Market Paperback)
by (shelved 2 times as baroque)
avg rating 3.62 — 20,136 ratings — published 1670
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Candide Candide (Paperback)
by (shelved 2 times as baroque)
avg rating 3.76 — 307,930 ratings — published 1759
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L'Avare L'Avare (Mass Market Paperback)
by (shelved 2 times as baroque)
avg rating 3.56 — 39,125 ratings — published 1668
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L'architettrice L'architettrice (Hardcover)
by (shelved 2 times as baroque)
avg rating 3.85 — 1,375 ratings — published 2019
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Don Quixote de La Mancha, Vol. 1 (Don Quijote de la Mancha, #1) Don Quixote de La Mancha, Vol. 1 (Don Quijote de la Mancha, #1)
by (shelved 2 times as baroque)
avg rating 4.06 — 9,756 ratings — published 1605
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Picture This Picture This (Paperback)
by (shelved 2 times as baroque)
avg rating 3.71 — 1,652 ratings — published 1988
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Roksolanki to jest Ruskie panny Roksolanki to jest Ruskie panny (Hardcover)
by (shelved 2 times as baroque)
avg rating 3.26 — 61 ratings — published 1654
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Soledades Soledades (Paperback)
by (shelved 2 times as baroque)
avg rating 3.90 — 729 ratings — published 1613
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Les Tragiques Les Tragiques (Mass Market Paperback)
by (shelved 2 times as baroque)
avg rating 3.02 — 169 ratings — published 1616
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The World Goes On The World Goes On (Hardcover)
by (shelved 2 times as baroque)
avg rating 3.72 — 1,596 ratings — published 2013
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The Misanthrope The Misanthrope (Paperback)
by (shelved 2 times as baroque)
avg rating 3.76 — 26,071 ratings — published 1666
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Pensées Pensées (Paperback)
by (shelved 2 times as baroque)
avg rating 3.94 — 14,707 ratings — published 1670
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Roman Baroque Roman Baroque (Paperback)
by (shelved 2 times as baroque)
avg rating 4.80 — 5 ratings — published 2002
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The Baroque: Literature and Culture in Seventeenth Century Europe The Baroque: Literature and Culture in Seventeenth Century Europe (Paperback)
by (shelved 2 times as baroque)
avg rating 3.00 — 1 rating — published 1978
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Between Renaissance and Baroque: Jesuit Art in Rome, 1565-1610 Between Renaissance and Baroque: Jesuit Art in Rome, 1565-1610 (Hardcover)
by (shelved 2 times as baroque)
avg rating 4.17 — 6 ratings — published 2003
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The Pilgrim's Progress The Pilgrim's Progress (Paperback)
by (shelved 2 times as baroque)
avg rating 4.08 — 163,426 ratings — published 1678
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Fuenteovejuna Fuenteovejuna (Paperback)
by (shelved 2 times as baroque)
avg rating 3.55 — 12,460 ratings — published 1618
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El burlador de Sevilla El burlador de Sevilla (Paperback)
by (shelved 2 times as baroque)
avg rating 3.60 — 5,450 ratings — published 1616
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Simplicissimus Simplicissimus (Paperback)
by (shelved 2 times as baroque)
avg rating 3.72 — 2,841 ratings — published 1669
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Vivaldi: Voice of the Baroque Vivaldi: Voice of the Baroque (Paperback)
by (shelved 2 times as baroque)
avg rating 3.50 — 82 ratings — published 1993
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French Baroque Music: from Beaujoyeulx to Rameau (Revised Edition) French Baroque Music: from Beaujoyeulx to Rameau (Revised Edition)
by (shelved 2 times as baroque)
avg rating 4.33 — 9 ratings — published 1978
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The Mirror in the Text The Mirror in the Text (Hardcover)
by (shelved 2 times as baroque)
avg rating 4.15 — 13 ratings — published
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King Lear King Lear (Mass Market Paperback)
by (shelved 2 times as baroque)
avg rating 3.91 — 242,129 ratings — published 1605
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Macbeth: Moment by Moment Macbeth: Moment by Moment (Paperback)
by (shelved 2 times as baroque)
avg rating 3.89 — 1,046,632 ratings — published 1623
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Gloriana, or The Unfulfill'd Queen Gloriana, or The Unfulfill'd Queen (Paperback)
by (shelved 2 times as baroque)
avg rating 3.64 — 2,346 ratings — published 1978
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Little, Big Little, Big (Paperback)
by (shelved 2 times as baroque)
avg rating 3.80 — 12,607 ratings — published 1981
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The Origin of German Tragic Drama The Origin of German Tragic Drama (Paperback)
by (shelved 2 times as baroque)
avg rating 4.22 — 560 ratings — published 1928
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The Princesse de Clèves The Princesse de Clèves (Paperback)
by (shelved 2 times as baroque)
avg rating 3.35 — 19,410 ratings — published 1678
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Poems, Protest, and a Dream: Selected Writings (Penguin Classics) Poems, Protest, and a Dream: Selected Writings (Penguin Classics)
by (shelved 2 times as baroque)
avg rating 4.08 — 503 ratings — published 1997
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Forever Amber Forever Amber (Paperback)
by (shelved 2 times as baroque)
avg rating 4.00 — 19,876 ratings — published 1944
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Art and Architecture in Italy, 1600-1750, Vols. 1-3 Art and Architecture in Italy, 1600-1750, Vols. 1-3 (Paperback)
by (shelved 2 times as baroque)
avg rating 4.17 — 86 ratings — published 1958
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Baroque (Icon Editions) Baroque (Icon Editions)
by (shelved 2 times as baroque)
avg rating 3.67 — 97 ratings — published 1977
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Renaissance and Baroque Renaissance and Baroque (Paperback)
by (shelved 2 times as baroque)
avg rating 4.08 — 73 ratings — published 1888
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Arnold Hauser
“Like all the forms of life and culture of the age, first of all the mercantilism economic system, the aesthetic of classicism of guided by the principles of absolutism - the absolute primacy of the political conception over all the other expressions of cultural life. The special characteristic of the new social and economic forms is the anti-individualistic tendency derived from the idea of the absolute state. Mercantilism is also, in contrast to the older form of profit economy, based on state-centralism, not on individual units, and it attempts to eliminate the regional centres of trade and commerce, the municipalities and the corporations - that is to say, to put state-autonomy in the place of separate autarchies.”
Arnold Hauser, The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque

Arnold Hauser
“It is the court which gives the great, commanding style of art its guiding principles; here is formed that "grande manière" which invests reality with an idea, resplendent, festive, and solemn character, and which set the standard for the style of official art in the whole Europe. To be sure, the French court attains the international recognition of its manners, fashion and art at the expense of the national character of French culture. The French, like the ancient Romans, look upon themselves as the citizens of the world, and nothing more typical of their cosmopolitan outlook than the fact that in all the tragedies of Racine, as has been noted, not a single Frenchmen appears.”
Arnold Hauser, The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque

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