Kimberley

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Yesteryear
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Hard by a Great F...
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by Leo Vardiashvili (Goodreads Author)
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Percival Everett
“At that moment the power of reading made itself clear and real to me. If I could see the words, then no one could control them or what I got from them. They couldn’t even know if I was merely seeing them or reading them, sounding them out or comprehending them. It was a completely private affair and completely free and, therefore, completely subversive.”
Percival Everett, James

“We’re old men now, it’s obvious. Most of us are gone and few remain. That's justice anyway: You ate, you lived, you saw good and evil, you suffered what you had to suffer, and you had your children. Then, all at once and before you know it, you're sent on your way. As for you lot though, this is what I'm trying to say: It's better to be ignorant and useful than learned and useless.”
Ak Welsapar, The Tale of Aypi

Fernando Pessoa
“The useless is beautiful because it is less real than the useful, which enjoys a continuing and lasting existence; while the marvellously useless, the gloriously infinitesimal, remains where it is, never goes beyond being what it is, and lives free and independent. The useless and the futile create intervals of humble aesthetic in our real lives. The mere insignificant existence of a pin stuck in a piece of ribbon provokes in my soul all manner of dreams and wondrous delights! I pity those who do not recognize the importance of such things!”
Fernando Pessoa, The Book of Disquiet

Robin Block
“Ook woede is een vorm van archiveren”
Robin Block, Handleiding voor Ontheemden

Joan Didion
“In many ways, writing is the act of saying I, of imposing oneself upon other people, of saying listen to me, see it my way, change your mind. It’s an aggressive, even a hostile act. You can disguise its aggressiveness all you want with veils of subordinate clauses and qualifiers and tentative subjunctives, with ellipses and evasions—with the whole manner of intimating rather than claiming, of alluding rather than stating—but there’s no getting around the fact that setting words on paper is the tactic of a secret bully, an invasion, an imposition of the writer’s sensibility on the reader’s most private space.”
Joan Didion, Let Me Tell You What I Mean: An Essay Collection

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