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A Literate Passio...
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Utopias
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The Sublime
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Friedrich Nietzsche
“The Point of Honor in Deception.—In all great deceivers one thing is noteworthy, to which they owe their power. In the actual act of deception, with all their preparations, the dreadful voice, expression, and mien, in the midst of their effective scenery they are overcome by their belief in themselves; it is this, then, which speaks so wonderfully and persuasively to the spectators. The”
― Friedrich Nietzsche, Ultimate Collection

Friedrich Nietzsche
“Whoever fights monsters should see to it that in the process he does not become a monster. And if you gaze long enough into an abyss, the abyss will gaze back into you.”
― Friedrich Nietzsche

Anaïs Nin
“What you burnt, broke, and tore is still in my hands. I am the keeper of fragile things and I have kept of you what is indissoluble.”
― Anaïs Nin, House of Incest

Anaïs Nin
“The secret of a full life is to live and relate to others as if they might not be there tomorrow, as if you might not be there tomorrow. It eliminates the vice of procrastination, the sin of postponement, failed communications, failed communions. This thought has made me more and more attentive to all encounters. meetings, introductions, which might contain the seed of depth that might be carelessly overlooked. This feeling has become a rarity, and rarer every day now that we have reached a hastier and more superficial rhythm, now that we believe we are in touch with a greater amount of people, more people, more countries. This is the illusion which might cheat us of being in touch deeply with the one breathing next to us. The dangerous time when mechanical voices, radios, telephones, take the place of human intimacies, and the concept of being in touch with millions brings a greater and greater poverty in intimacy and human vision.”
― Anaïs Nin, The Diary of Anaïs Nin, Vol. 4: 1944-1947

Guy Debord
“The spectacle is a social relation between people that is mediated by an accumulation of images that serve to alienate us from a genuinely lived life. The image is thus an historical mutation of the form of commodity fetishism.”
― Guy Debord, The Society of the Spectacle

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