Aswathy

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Exhalation
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Helen Oyeyemi
“To be Druhástranian is to be dissatisfied with one’s condition until one can find some official personage to sign off on it. And if someone says that what you’re doing is all right today, won’t you need to get that approval reconfirmed later, get another stamp at some other desk a year from now? Of course this is a mind-set that a nation can be stunned into. All you need is a century or two of freedoms and strictures that appear and disappear between one year and the next, words and deeds that were frowned upon just yesterday receiving vehement acclaim today.”
Helen Oyeyemi, Gingerbread

Clementine von Radics
“What is a home if not the first place you learn to run from?”
Clementine von Radics

Helen Oyeyemi
“But listen, listen . . . a mind-set that’s caught up in, even imprisoned by legality and correctness of form . . . what is that way of thinking if not Druhástranian? To be Druhástranian is to be dissatisfied with one’s condition until one can find some official personage to sign off on it.”
Helen Oyeyemi, Gingerbread

Tove Ditlevsen
“On the sly, you observe the adults whose childhood lies inside them, torn and full of holes like a used and moth-eaten rug no one thinks about anymore or has any use for. You can’t tell by looking at them that they’ve had a childhood, and you don’t dare ask how they managed to make it through without their faces getting deeply scarred and marked by it. You suspect that they’ve used some secret shortcut and donned their adult form many years ahead of time. They did it one day when they were home alone and their childhood lay like three bands of iron around their heart, like Iron Hans in Grimms’ fairy tale, whose bands broke only when his master was freed. But if you don’t know such a shortcut, childhood must be endured and trudged through hour by hour, through an absolutely interminable number of years. Only death can free you from it, so you think a lot about death, and picture it as a white-robed, friendly angel who some night will kiss your eyelids so that they never will open again.”
Tove Ditlevsen, Childhood

Madhuri Vijay
“I am aware that I am taking no risks by recounting any of this, that, for people like me, safe and protected, even the greatest risk is, ultimately, indulgence”
Madhuri Vijay, The Far Field

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