Katia N
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(page 155 of 320)
"Thomas Vyre’s identity had been stolen. Some might have found this troubling; Vyre was happy about it. It hadn’t suited him anymore. He had long since grown weary of the man he had been, or, at least, the man that others had thought him. Anyone who wanted his identity was welcome to it. (His bank account less so; fortunately no one had tried a hit on that yet.)" — Apr 16, 2026 07:11AM
"Thomas Vyre’s identity had been stolen. Some might have found this troubling; Vyre was happy about it. It hadn’t suited him anymore. He had long since grown weary of the man he had been, or, at least, the man that others had thought him. Anyone who wanted his identity was welcome to it. (His bank account less so; fortunately no one had tried a hit on that yet.)" — Apr 16, 2026 07:11AM
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(page 667 of 742)
"I think every writer is a born actor. In first place, the writer takes on the role of themselves and really inhabits the part. A writer is someone who tires easily, and ends up feeling slightly bored with herself, since her intimate contact with herself is, of necessity, too prolonged." — Apr 02, 2026 01:20PM
"I think every writer is a born actor. In first place, the writer takes on the role of themselves and really inhabits the part. A writer is someone who tires easily, and ends up feeling slightly bored with herself, since her intimate contact with herself is, of necessity, too prolonged." — Apr 02, 2026 01:20PM
“I sit in my room like Miss Havisham, about whom I have been reading this week. Better the Dickens you know than the Dickens you don't know - on the whole I enjoyed it. But I should like to say something about this 'irrepressible vitality', this 'throwing a fresh handful of characters on the fire when it burns low', in fact the whole Dickens method - it strikes me as being less ebullient, creative, vital, than hectic, nervy, panic-stricken. If he were a person I should say 'You don't have to entertain me, you know. I'm quite happy just sitting here.' This jerking of your attention, with queer names, queer characters, aggressive rhythms, piling on adjectives - seems to me to betray basic insecurity in his relation with the reader. How serenely Trollope, for instance, compares. I say in all seriousness that, say what you like about Dickens as an entertainer, he cannot be considered as a real writer at all; not a real novelist. His is the garish gaslit melodramatic barn (writing that phrase makes me wonder if I'm right!) where the yokels gape: outside is the calm measureless world, where the characters of Eliot, Trollope, Austen, Hardy (most of them) and Lawrence (some of them) have their being.”
― Philip Larkin: Letters to Monica
― Philip Larkin: Letters to Monica
“He- for there could be no doubt of his sex, though the fashion of the time did something to disguise it- was in the act of slicing at the head of a Moor which swung from the rafters. ”
― Orlando
― Orlando
“The truth will set you free. But not until it is finished with you.”
― Infinite Jest
― Infinite Jest
“Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems - but as you approach the present, it inevitably seems more and more incredible.”
― Midnight’s Children
― Midnight’s Children
“Memory's truth, because memory has its own special kind. It selects, eliminates, alters, exaggerates, minimizes, glorifies, and vilifies also; but in the end it creates its own reality, its heterogeneous but usually coherent version of events; and no sane human being ever trusts someone else's version more than his own.”
― Midnight’s Children
― Midnight’s Children
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