Katia N
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Katia N

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We Live Here Now
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by C.D. Rose (Goodreads Author)
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  (page 155 of 320)
"Thomas Vyre’s identity had been stolen. Some might have found this troubling; Vyre was happy about it. It hadn’t suited him anymore. He had long since grown weary of the man he had been, or, at least, the man that others had thought him. Anyone who wanted his identity was welcome to it. (His bank account less so; fortunately no one had tried a hit on that yet.)" Apr 16, 2026 07:11AM

 
Happiness and Love
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by Zoe Dubno (Goodreads Author)
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Too Much of Life
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  (page 667 of 742)
"I think every writer is a born actor. In first place, the writer takes on the role of themselves and really inhabits the part. A writer is someone who tires easily, and ends up feeling slightly bored with herself, since her intimate contact with herself is, of necessity, too prolonged." Apr 02, 2026 01:20PM

 
See all 10 books that Katia is reading…
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Natalie Díaz
“Brodsky said, Darkness restores what light cannot repair.”
Natalie Diaz, Postcolonial Love Poem

Rachel Cusk
“We acquired things and used them and disposed of them. What we liked best was disposing of them. It felt like disposing the bad and burdensome parts of ourselves. It felt momentarily, like disposing of our own bodies. Sometimes we sensed that we were living counter to nature, were at odds with it, and this manifested itself as intolerable feeling of material chaos and disorder, to which a material solution could usually be found.”
Rachel Cusk, Parade
tags: parade

Gabriel Josipovici
“What Beckett is dramatising here is a quite different view of the notion that man is the storytelling animal. What he is showing is that we may indeed have an innate capacity to tell stories, but that far from this being the royal road to truth it is simply a way of avoiding the truth, of avoiding the sense that something nameless is taking its course, that our lives are passing us by, that we are moving inexorably towards a death we do not understand or want and certainly do not know how to cope with.

But what does that do to the feeling that something nameless is taking its course, something that needs to be dealt with that otherwise will drive him mad? This, it seems to me, is the paradox that lies at the heart of all modern art: the need to speak of that which cannot be uttered, together with the recognition that the utterance perverts or destroys the thing that needed to be spoken of.”
Gabriel Josipovici, The Teller and the Tale: Essays on Literature and Culture

“In the U.S. election of 1860, the New York Herald's owner James Gordon Bennett Sr. warned the white workers of New York, "... if Lincoln is elected, you will have to compete with the labor of four million emancipated negroes.”
Heather McGhee, The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together

Volodymyr Vynnychenko
“Стає темно. Потім знов блискавка і видно, як ті - ж берестки з розмаху нахиляються до землі, мов бажаючи щось з неї підняти, й, не діставши, одкидаються назад, злісно, безсило тріпочуть кучерявими віттями й знов розхитуються... А старі дуби стоять, стогнуть і неначе з жалем і тугою хитають головами на силкування молодіжи. А там, на мосту, над головою, здається, злетілись дві величезні армії й скажено бʼються. Грюкіт гармат, тупотіння коней, несамовите ревіння, все мішається в страшенний, дужий концерт, де можна чути й шепотіння пекельної злости, й грюкіт гніву. А виття болю й ненависти, й страх, й дужий, радісний поклик до бою й повне одчаю й муки знесилля. Бій не змовкає й кров потоками дощу ллеться на ліс, прориває листя, стікає на бричку й починає капати за шию й на голову…”
Volodymyr Vynnychenko, Контрасти

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