Katia N
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Katia N

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Dream of Fair to ...
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  (page 32 of 266)
"On the crown of the passional relation I live,dead to oneness,non-entity and unalone,untouched by the pulls of the solitudes,at rest above the deep green central flowing falling away on either hand to the special margins,the red solitude and the violet solitude,the red oneness and the violent oneness;at the summit of the bow, indifferent to the fake integrities,the silence between my eyes,the body between the wings." Jun 07, 2026 07:45AM

 
How the World Mad...
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  (page 430 of 572)
"With raiding no longer an option in home territory, Caliph Umar 644took the Levant, inclJerusalem.The new rulers didn’t care what religion their subjects practised, as long as they paid their taxes; Christians, Jews and Muslims all worshipped the same God of Abraham, as far as Muslims were concerned;Jews were now allowed to live in Jerusalem for the 1st time since the Roman destruction of the 2nd Temple in 70 ce." Jun 03, 2026 12:52PM

 
Água Viva
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  (page 78 of 88)
"What am I in this instant? I am a typewriter making the dry keys echo on the dark and humid early hours. For a long time I haven’t been people. They wanted me to be an object. I’m an object. An object dirty with blood. That creates other objects and the typewriter all of us. It demands. The mechanism demands and demands my life. But I don’t obey totally: if I must be an object let it be an object that screams." Jun 02, 2026 04:37AM

 
See all 6 books that Katia is reading…
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Hervé Le Tellier
“Le vrai pessimiste sait qu'il est déjà trop tard pour l'être.”
Hervé Le Tellier, L'Anomalie

Natalie Díaz
“Brodsky said, Darkness restores what light cannot repair.”
Natalie Diaz, Postcolonial Love Poem

Helen Macdonald
“We so often think of the past as a something like a nature reserve: a discrete, bounded place we can visit in our imaginations to make us feel better. I wonder how we could learn to recognise that the past is always working on us and through us, and that diversity in all its forms, human and natural, is strength.”
Helen Macdonald

Volodymyr Vynnychenko
“Стає темно. Потім знов блискавка і видно, як ті - ж берестки з розмаху нахиляються до землі, мов бажаючи щось з неї підняти, й, не діставши, одкидаються назад, злісно, безсило тріпочуть кучерявими віттями й знов розхитуються... А старі дуби стоять, стогнуть і неначе з жалем і тугою хитають головами на силкування молодіжи. А там, на мосту, над головою, здається, злетілись дві величезні армії й скажено бʼються. Грюкіт гармат, тупотіння коней, несамовите ревіння, все мішається в страшенний, дужий концерт, де можна чути й шепотіння пекельної злости, й грюкіт гніву. А виття болю й ненависти, й страх, й дужий, радісний поклик до бою й повне одчаю й муки знесилля. Бій не змовкає й кров потоками дощу ллеться на ліс, прориває листя, стікає на бричку й починає капати за шию й на голову…”
Volodymyr Vynnychenko, Контрасти

Javier Marías
“The truth is that we never know from whom we originally get the ideas and beliefs that shape us, those that make a deep impression on us and which we adopt as a guide, those we retain without intending to and make our own.

From a great-grandparent, a grandparent, a parent, not necessarily ours? From a distant teacher we never knew and who taught the one we did know? From a mother, from a nursemaid who looked after her as a child? From the ex-husband of our beloved, from a ġe-bryd-guma we never met? From a few books we never read and from an age through which we never lived? Yes, it's incredible how much people say, how much they discuss and recount and write down, this is a wearisome world of ceaseless transmission, and thus we are born with the work already far advanced but condemned to the knowledge that nothing is ever entirely finished, and thus we carry-like a faint booming in our heads-the exhausting accumulated voices of the countless centuries, believing naively that some of those thoughts and stories are new, never before heard or read, but how could that be, when ever since they acquired the gift of speech people have never stopped endlessly telling stories and, sooner or later, everything is told, the interesting and the trivial, the private and the public, the intimate and the superfluous, what should remain hidden and what will one day inevitably be broadcast, sorrows and joys and resentments, certainties and conjectures, the imagined and the factual, persuasions and suspicions, grievances and flattery and plans for revenge, great feats and humiliations, what fills us with pride and what shames us utterly, what appeared to be a secret and what begged to remain so, the normal and the unconfessable and the horrific and the obvious, the substantial-falling in love-and the insignificant-falling in love. Without even giving it a second thought, we go and we tell.”
Javier Marías, Poison, Shadow, and Farewell

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