David

“Jacob has begun to introduce himself not as before, not as Yankiele Leybowicz, but as Jacob Frank. Frank is what Jews from the west are called in Nikopol; that’s what they call his father-in-law and his wife, Hana. Frank, or Frenk, means foreign. Nahman knows Jacob likes this – being foreign is a quality of those who have frequently changed their place of residence. He’s told Nahman that he feels best in new places, because it is as if the world begins afresh every time. To be foreign is to be free.”
― Olga Tokarczuk, The Books of Jacob

“My dad is gone now and so is that Seattle, but walking in the places he walked, puffing up the same hills, turning the same corners, I feel him in the ridges and grooves of my city--we are close, superimposed, separated only by time, and what's that? This is the only religion that I can relate to.”
― Lindy West, The Witches Are Coming

“Every man’s soul is an independent universe, his death the extinction of the universe in miniature.”
― Henrik Pontoppidan, Lykke-Per

“Anyone who has ever tried to write a novel knows what an arduous task it is, undoubtedly one of the worst ways of occupying oneself. You have to remain within yourself all the time, in solitary confinement. It's a controlled psychosis, an obsessive paranoia manacled to work completely lacking in the feather pens and bustles and Venetian masks we would ordinarily associate with it, clothed instead in a butcher's apron and rubber boots, eviscerating knife in hand. You can only barely see from that writerly cellar the feet of passers-by, hear the rapping of their heels. Every so often someone stops and bends down and glances in through the window, and then you get a glimpse of a human face, maybe even exchange a few words. But ultimately the mind is so occupied with its own act, a play staged by the self ofr the self in a hasty, makeshift cabinet of curiosities peopled by author and character, narrator and reader, the person describing and the person described, that feet, shoes, heels, and faces become, sooner or later, mere components of that act.”
― Olga Tokarczuk, Flights