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The Magic Mountain
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Jan 13, 2026 06:21PM

 
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Thomas Mann
“Thought that can merge wholly into feeling, feeling that can merge wholly into thought—these are the artist's highest joy. And our solitary protagonist felt in himself at this moment power to command and wield a thought that thrilled with emotion, an emotion as precise and concentrated as thought: namely, that nature herself shivers with ecstasy when the mind bows down in homage before beauty.”
Thomas Mann, Death in Venice & Seven Other Stories

René Daumal
“In reality, the true painter, as you know, possesses within himself—in his muscles, his sensibility, even in his thinking—the golden number or numbers and the laws of color; he possesses them, he has earned them, he makes them live through everything he experiences and sees, not just on the canvas: his work is therefore both useful and universal.”
René Daumal, A Night of Serious Drinking
tags: art

Michiko Aoyama
“Things change, even if you want them to stay the same. At the same time, you can try to change, but you will still remain the same.”
Michiko Aoyama, What You Are Looking for Is in the Library

Salman Rushdie
“I listened to her string of non sequiturs, entranced. I understood what she was telling us. There was no coherence. Nothing led to anything else. There were only jagged moments of half comprehension. Nothing could be known. We were all incomplete, unfinished. That was life until completed by death. And none of us could complete our own story because we would no longer be present. We were all frozen in our railway carriages waiting for another to finish our tale, to complete us, if anyone cared to do so. Otherwise, unfinishedness was our inescapable fate.”
Salman Rushdie, The Eleventh Hour: A Quintet of Stories
tags: death, life

Alastair Reynolds
“All right," I said, still wishing we could talk about Zima rather than me. "But what practical difference does it make whether the artificial memory is inside my head or outside?"

"All the difference in the world," Zima said. "The memories stored in the AM are fixed for eternity. You can query it as often as you like, but it will never enhance or omit a single detail. But the implants work differently. They're designed to integrate seamlessly with biological memory, to the point where the recipient can't tell the difference. For that very reason they're necessarily plastic, malleable, subject to error and distortion."

"Fallible," I said.

"But without fallibility there is no art. And without art there is no truth.”
Alastair Reynolds, Zima Blue and Other Stories

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