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The Huguenot Chro...
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The Librarians
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by Sherry Thomas (Goodreads Author)
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Third Rail: An Ed...
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Carl Sandburg
“If the facts are against you, argue the law. If the law is against you, argue the facts. If the law and the facts are against you, pound the table and yell like hell”
Carl Sandburg

Tony Hillerman
“Everything is connected. The wing of the corn beetle affects the direction of the wind, the way the sand drifts, the way the light reflects into the eye of man beholding his reality. All is part of totality, and in this totality man finds his hozro, his way of walking in harmony, with beauty all around him.”
Tony Hillerman, The Ghostway

Ian McEwan
“The following day the editor presided over a sudued meeting with his senior staff. Tony Montano sat to one side, a silent observer.
"It's time we ran more regular columns. They're cheap, and everyone else is doing them. You know, we hire someone of low to medium intelligence, possibly female, to write about, well, nothing much. You've seen that sort of thing. Goes to a party and can't remember anyone's name. Twelve hundred words."
"Sort of naval gazing," Jeremy Ball suggested.
"Not quite. Gazing is too intellectual. More like naval chat.”
Ian McEwan, Amsterdam

Susan Vreeland
“It was strange: When you reduced even a fledgling love affair to its essentials--I loved her, she maybe loved me, I was foolish, I suffered--it became vacuous and trite, meaningless to anyone else. In the end, it's only the moments that we have, the kiss on the palm, the joint wonder at the furrowed texture of a fir trunk or at the infinitude of grains of sand in a dune. Only the moments.”
Susan Vreeland

Susan Vreeland
“That a thing made by hand, the work and thought of a single craftsman, can endure much longer than its maker, through centuries in fact, can survive natural catastrophe, neglect, and even mistreatment, has always filled me with wonder. Sometimes in museums, looking at a humble piece of pottery from ancient Persia or Pompeii, or a finely wrought page from a medieval illuminated manuscript toiled over by a nameless monk, or a primitive tool with a carved handle, I am moved to tears. The unknown life of the maker is evanescent in its brevity, but the work of his or her hands and heart remains.”
Susan Vreeland

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