Felippe

“A vida não é pra amador”
― Daniel Galera, Barba ensopada de sangue

“Mr. Bloemker moved closer. He smelled like a wet diaper. “What is it,” he asked, looking over Lenore’s shoulder.

“If it’s what I think it is,” said Lenore, “it’s a sort of joke. A what do you call it. An antinomy.”

“An antinomy?”

Lenore nodded. “Gramma really likes antinomies. I think this guy here,” looking down at the drawing on the back of the label, “is the barber who shaves all and only those who do not shave themselves.”

Mr. Bloemker looked at her. “A barber?”

“The big killer question,” Lenore said to the sheet of paper, “is supposed to be whether the barber shaves himself. I think that’s why his head’s exploded, here.”

“Beg pardon?”

“If he does, he doesn’t, and if he doesn’t, he does.”
― David Foster Wallace, The Broom of the System

“Nobody realizes that some people expend tremendous energy merely to be normal.”
― Albert Camus

“Whence the possibility of an ideological analysis of Disneyland (L. Marin did it very well in Utopiques, jeux d'espace [Utopias, play of space]): digest of the American way of life, panegyric of American values, idealized transposition of a contradictory reality. Certainly. But this masks something else and this "ideological" blanket functions as a cover for a simulation of the third order: Disneyland exists in order to hide that it is the "real" country, all of "real" America that is Disneyland (a bit like prisons are there to hide that it is the social in its entirety, in its banal omnipresence, that is carceral). Disneyland is presented as imaginary in order to make us believe that the rest is real, whereas all of Los Angeles and the America that surrounds it are no longer real, but belong to the hyperreal order and to the order of simulation. It is no longer a question of a false representation of reality (ideology) but of concealing the fact that the real is no longer real, and thus of saving the reality principle.”
― Jean Baudrillard, Simulacra and Simulation