Ania

“I laughed. ‘For a policeman, you’re very romantic.’
‘For an artist, you’re very afraid,’ he said.”
― Bethan Roberts, My Policeman

“All problems with writing and performing come from fear. Fear of exposure, fear of weakness, fear of lack of talent, fear of looking like a fool for trying, for even thinking you could write in the first place. It's all fear. If we didn't have fear, imagine the creativity in the world. Fear holds us back every step of the way. A lot of studies say that despite all our fears in this country - death, war, guns, illness - our biggest fear is public speaking. What I am doing right now. And when people are asked to identify which kind of public speaking they are most afraid of, they check the improvisation box. So improvisation is the number-one fear in America. Forget a nuclear winter or an eight-point nine earthquake or another Hitler. It's improv. Which is funny, because aren't we just improvising all day long? Isn't our whole life just one long improvisation? What are we so scared of?”
― Lily King, Writers & Lovers

“I can tell he lost someone close somehow. You can feel that in people, an openness, or maybe it's an opening that you're talking into. With other people, people who haven't been through something like that, you feel the solid wall. Your words go scattershot off of it.”
― Lily King, Writers & Lovers

“You were looking at Tom without smiling, with an expression of deep absorption. You considered him, in the same way that others in the room were considering the displays.”
― Bethan Roberts, My Policeman