Mariana

“(...) many of these comments were unarguable mean-spirited and insulting, and no attempt was made to disguise them as flirting. I was clearly being overtly sexualized by these strangers, and not because I was deemed attractive, but simply because I appeared to be a woman. And the purpose of such blatantly vulgar remarks was not to express attraction or potencially garner my interest, but rather to exert a modicum of control over me: to make me feel uncomfortable, intimidated, angry, or fearful, to force me to look away or to cross the street to avoid their harassment.”
― Julia Serano, Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity

“The idea that "femininity is artificial" is also blatantly misogynistic. Just as woman is man's "other", so too is femininity masculinity's "other". Under such circumstances, negative connotations like "artificial", "contrived", and "frivolous" become built into our understanding of femininity - indeed, this is precisely what allows masculinity to always come off as "natural", "practical" and "uncomplicated".”
― Julia Serano, Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity

“A fotografia não se limita a reproduzir o real, recicla-o, o que constitui um processo-chave de uma sociedade moderna”
― Susan Sontag, On Photography

“O objetivo dos retratos das famílias burguesas nos séculos XVIII e XIX era confirmar uma imagem ideal do modelo (proclamando o seu estatuto social e embelezando a sua aparência); em função deste propósito, é fácil compreender porque é que as pessoas não sentiam necessidade de ter mais do que um retrato. O que o registo fotográfico confirma é, mais modestamente, que a pessoa existe; por isso eles nunca são demais.”
― Susan Sontag, On Photography