Mariana

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Levantado do Chão
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Gender Mosaic: Be...
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Susan Sontag
“Quanto mais retrocedemos na história menos nítida é a distinção entre imagens e coisas reais, como observou E.H. Gombrich; nas sociedades primitivas, a coisa e a sua imagem não eram mais do que duas manifestações diferentes, ou seja, fisicamente distintas, da mesma energia ou espírito. A isso se deve a suposta eficácia das imagens para propiciar e controlar presenças de grande poder. Esses poderes, essas presenças estavam presentes nelas.”
Susan Sontag, On Photography

Julia Serano
“(...) many of these comments were unarguable mean-spirited and insulting, and no attempt was made to disguise them as flirting. I was clearly being overtly sexualized by these strangers, and not because I was deemed attractive, but simply because I appeared to be a woman. And the purpose of such blatantly vulgar remarks was not to express attraction or potencially garner my interest, but rather to exert a modicum of control over me: to make me feel uncomfortable, intimidated, angry, or fearful, to force me to look away or to cross the street to avoid their harassment.”
Julia Serano, Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity

Julia Serano
“The most radical thing that any of us can do is to stop projecting our beliefs about gender onto other people's behaviors and bodies”
Julia Serano, Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity

Julia Serano
“Consider that people will talk about the fact that I now "pass" as a woman, but nobody ever asks about how difficult it must have been for me to "pass" as a man before.”
Julia Serano, Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity

Susan Sontag
“O objetivo dos retratos das famílias burguesas nos séculos XVIII e XIX era confirmar uma imagem ideal do modelo (proclamando o seu estatuto social e embelezando a sua aparência); em função deste propósito, é fácil compreender porque é que as pessoas não sentiam necessidade de ter mais do que um retrato. O que o registo fotográfico confirma é, mais modestamente, que a pessoa existe; por isso eles nunca são demais.”
Susan Sontag, On Photography

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