nausea
https://www.goodreads.com/wherenoonegoes
“And when we grow to be men and live under other laws, what remains of that park filled with the shadows of childhood, magical, freezing, burning? What do we learn when we return to it and stroll with a sort of despair along the outside of its little wall of gray stone, marveling that within a space so small we should have founded a kingdom that had seemed to us infinite - what do we learn except that in this infinity we shall never again set foot, and that it is into the game and not the park that we have lost the power to enter?”
― Wind, Sand and Stars
― Wind, Sand and Stars
“But if after I am free a friend of mine had a sorrow and refused to allow me to share it, I should feel it most bitterly. If he shut the doors of the house of mourning against me, I would come back again and again and beg to be admitted, so that I might share in what I was entitled to share in. If he thought me unworthy, unfit to weep with him, I should feel it as the most poignant humiliation, as the most terrible mode in which disgrace could be inflicted on me.”
―
―
“You're not a monster,' I said.
But I lied.
What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.
I read that parents suffering from PTSD are more likely to hit their children. Perhaps there is a monstrous origin to it, after all. Perhaps to lay hands on your child is to prepare him for war. To say processing a heartbeat is never as simple as the heart's task of saying yes yes yes to the body.”
― On Earth We're Briefly Gorgeous
But I lied.
What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.
I read that parents suffering from PTSD are more likely to hit their children. Perhaps there is a monstrous origin to it, after all. Perhaps to lay hands on your child is to prepare him for war. To say processing a heartbeat is never as simple as the heart's task of saying yes yes yes to the body.”
― On Earth We're Briefly Gorgeous
“Places We Love
Places we love exist only through us,
Space destroyed is only illusion in the constancy of time,
Places we love we can never leave,
Places we love together, together, together,
And is this room really a room, or an embrace,
And what is beneath the window: a street or years?
And the window is only the imprint left by
The first rain we understood, returning endlessly,
And this wall does not define the room, but perhaps the night
Your son began to move in your sleeping blood,
A son like a butterfly of flame in your hall of mirrors,
The night you were frightened by your own light,
And this door leads into any afternoon
Which outlives it, forever peopled
With your casual movements, as you stepped,
Like fire into copper, into my only memory;
When you go, space closes over like water behind you,
Do not look back: there is nothing outside you,
Space is only time visible in a different way,
Places we love we can never leave.”
―
Places we love exist only through us,
Space destroyed is only illusion in the constancy of time,
Places we love we can never leave,
Places we love together, together, together,
And is this room really a room, or an embrace,
And what is beneath the window: a street or years?
And the window is only the imprint left by
The first rain we understood, returning endlessly,
And this wall does not define the room, but perhaps the night
Your son began to move in your sleeping blood,
A son like a butterfly of flame in your hall of mirrors,
The night you were frightened by your own light,
And this door leads into any afternoon
Which outlives it, forever peopled
With your casual movements, as you stepped,
Like fire into copper, into my only memory;
When you go, space closes over like water behind you,
Do not look back: there is nothing outside you,
Space is only time visible in a different way,
Places we love we can never leave.”
―
“There are no arguments. Can anyone who has reached the limit bother with arguments, causes, effects, moral considerations, and so forth? Of course not. For such a person there are only unmotivated motives for living. On the heights of despair, the passion for the absurd is the only thing that can still throw a demonic light on chaos. When all the current reasons—moral, esthetic, religious, social, and so on—no longer guide one's life, how can one sustain life without succumbing to nothingness? Only by a connection with the absurd, by love of absolute uselessness, loving something which does not have substance but which simulates an illusion of life.
I live because the mountains do not laugh and the worms do not sing.”
― On the Heights of Despair
I live because the mountains do not laugh and the worms do not sing.”
― On the Heights of Despair
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