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Grundrisse: Found...
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  (page 61 of 904)
"“It would be a misreading of Lenin’s intent to argue that, in order to understand the 4,000 pages of the whole of Capital one must first read the 800 pages of the Grundrisse and the 1,000 pages of [Hegel’s] Logic! This is a project for a long term in prison.”

too true"
May 02, 2022 02:42PM

 
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“Listen," I say, pushing my chair in. "I just want everyone to know that I'm pro-family and anti-drug. Excuse me.”
Bret Easton Ellis, American Psycho

“I’m into, oh, murders and executions mostly. It depends.” I shrug. “Do you like it?” she asks, unfazed. “Um … It depends. Why?” I take a bite of sorbet. “Well, most guys I know who work in mergers and acquisitions don’t really like it,” she says.”
Bret Easton Ellis, American Psycho

“These questions are punctuated by other questions, as diverse as "Will I ever do time?" and "Did this girl have a trusting heart?" The smell of meat and blood clouds up the condo until I don't notice it anymore. And later my macabre joy sours and I'm weeping for myself, unable to find solace in any of this, crying out, sobbing "I just want to be loved," cursing the earth and everything I have been taught: principles, distinctions, choices, morals, compromises, knowledge, unity, prayer - all of it was wrong, without any final purpose. All it came down to was: die or adapt. I imagine my own vacant face, the disembodied voice coming from its mouth: These are terrible times. Maggots already writhe across the human sausage, the drool pouring from my lips dribbles over them, and still I can't tell if I'm cooking any of this correctly, because I'm crying too hard and I have never really cooked anything before.”
Bret Easton Ellis, American Psycho

“The Patty Winters Shows were all repeats. Life remained a blank canvas, a cliche, a soap opera. I felt lethal, on the verge of frenzy. My nightly bloodlust overflowed into my days and I had to leave the city. My mask of sanity was a victim of impending slippage. This was bone season for me and I needed a vacation. I needed to go to the Hamptons.”
Bret Easton Ellis, American Psycho

“Someone has already taken out a Minolta cellular phone and called for a car, and then, when I'm not really listening, watching instead someone who looks remarkably like Marcus Halberstam paying a check, someone asks, simply, not in relation to anything, "Why? " and though I'm very proud that I have cold blood and that I can keep my nerve and do what I'm supposed to do, I catch something, then realize it: Why? and automatically answering, out of the blue, for no reason, just opening my mouth, words coming out, summarizing for the idiots: "Well, though I know I should have done that instead of not doing it, I'm twenty-seven for Christ sakes and this is, uh, how life presents itself in a bar or in a club in New York, maybe anywhere, at the end of the century and how people, you know, me, behave, and this is what being Pat rick means to me, I guess, so, well, yup, uh..." and this is followed by a sigh, then a slight shrug and another sigh, and above one of the doors covered by red velvet drapes in Harry's is a sign and on the sign in letters that match the drapes' color are the words THIS IS NOT AN EXIT.”
Bret Easton Ellis, American Psycho

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