Gregg Araki’s The Living End (1992) notoriously showcased gay male misogyny, extreme violence, and suicidal despair under an alibi of AIDS activism.
“I’m open to being attracted to any gender and rarely attracted to any, so miss me with this stupid idea that in any room everyone is appealing to me because they’re technically a gender I have dated.”
― How to Be Alone: If You Want To, and Even If You Don't
― How to Be Alone: If You Want To, and Even If You Don't
“When you have a lot of shine to you, as so many bighearted people often do, you can attract a lot of people easily, because people are drawn to it, that kind of light. It can be so easy to forget that not everyone deserves your shine. But when you spend so much of your earliest years being told you have no shine at all, even though you're pretty sure maybe you do, and someone finally tells you they see it too, you do, you have it, you want to give them everything. Because of this, more often than not, you're not falling in love with them, you're using them as a way to fall in love with yourself.”
― How to Be Alone: If You Want To, and Even If You Don't
― How to Be Alone: If You Want To, and Even If You Don't
“The enemy is conventional language; the antidote is poetry and mild intoxicants.”
― Attack of the Copula Spiders: Essays on Writing
― Attack of the Copula Spiders: Essays on Writing
“I composed balanced sentences and periodic sentences and practiced, till I was blue in the face, the English department adage, Vary your sentence structure. Amazingly enough, having a mix of long and short sentences, along with topic-body-conclusion paragraph structure, did not automatically make my prose interesting.”
― Attack of the Copula Spiders: Essays on Writing
― Attack of the Copula Spiders: Essays on Writing
“In her book The Writing Life (1989), Annie Dillard tells the story of a fellow writer who was asked by a student, "Do you think I could be a writer?" "'Well,' the writer said, 'do you like sentences?'" The student is surprised by the question, but Dillard knows exactly what was meant. He was being told, she explains, that "if he likes sentences he could begin," and she remembers a similar conversation with a painter friend. "I asked him how he came to be a painter. He said, 'I like the smell of paint.'" The point, made implicitly (Dillard does not belabour it), is that you don't begin with a grand conception, either of the great American novel or masterpiece that will hang in the Louvre. You begin with a feel for the nitty-gritty material of the medium, paint in one case, sentences in the other.”
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Silver Screen Book Club
— 420 members
— last activity Apr 21, 2026 06:46PM
For anyone interested in black and white movies, actors from the dawn of film through the 1960s, or the culture of the era, this is the book club for ...more
Angel’s 2025 Year in Books
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