Versions of such queer cross-identification also mark the genesis of Strangers on a Train. Hitchcock’s film takes its cue from the 1950 novel with the same title by Patricia Highsmith.
“There is a moment following tragedy that some people never get to experience. You have to be ready for it or it will crush you to dust. It's like a window flung open and naked to the day. It's like being lifted away. It's like being stranded with everything you need. It's the moment you call a cornfield beautiful because you mean it, because you've never seen the world like this before, because newness no longer strikes terror but rather brings hope. You jerk awake into it like meeting yourself on a blind date. You surrender to that sudden first rush of joy without consequence, no more doom or fear or guilt, surrender to the sheer devastating presence of life, huge and indifferent, pushing into you like God's breath.”
―
―
“Trauma doesn't occur in a vacuum. You don't outgrow it with time. It grows with you, even if the growing goes all wrong. It's like breaking an arm and never putting it in a cast. You're bigger, but the bone is still broken. Maybe there's a throb of pain once in a while. You can't just stop using the arm. The more you use it the more it tears and contorts. You get clumsy. You break more limbs. Even if you see a doctor now, there's no going back to the beginning.”
― What About the Rest of Your Life
― What About the Rest of Your Life
“When you have a lot of shine to you, as so many bighearted people often do, you can attract a lot of people easily, because people are drawn to it, that kind of light. It can be so easy to forget that not everyone deserves your shine. But when you spend so much of your earliest years being told you have no shine at all, even though you're pretty sure maybe you do, and someone finally tells you they see it too, you do, you have it, you want to give them everything. Because of this, more often than not, you're not falling in love with them, you're using them as a way to fall in love with yourself.”
― How to Be Alone: If You Want To, and Even If You Don't
― How to Be Alone: If You Want To, and Even If You Don't
“Our task...isn't to save Trump voters. It isn't to convince them to give up their views that white people ought to matter more than others. Our task is to build a world where such a view has no place or quarter to breathe. I'm aware that this is a radical, some may even say dangerous, claim. It amounts to throwing away a large portion of the country, many of whom are willing to defend their positions with violence. But we cannot give in to these people. We know what the result will be. And I cannot watch another generation of Black children bear the burden of that choice.”
― Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own
― Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own
“I composed balanced sentences and periodic sentences and practiced, till I was blue in the face, the English department adage, Vary your sentence structure. Amazingly enough, having a mix of long and short sentences, along with topic-body-conclusion paragraph structure, did not automatically make my prose interesting.”
― Attack of the Copula Spiders: Essays on Writing
― Attack of the Copula Spiders: Essays on Writing
Silver Screen Book Club
— 421 members
— last activity Apr 21, 2026 06:46PM
For anyone interested in black and white movies, actors from the dawn of film through the 1960s, or the culture of the era, this is the book club for ...more
Angel’s 2025 Year in Books
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