
“I believe in social dislocation and creative trouble.”
―
―

“In order to see the world in a true light and everything in its proper shape, in order to contemplate the wide horizon, we must climb out of the pit of self-centeredness and rise to a height. We must see the center of being not in ourselves but in God, where it truly is, and then everything will fall into the right place. Humility in its ontological meaning is the heroic conquest of selfhood and ascent to the heights of theocentrism.”
―
―

“Is it any weakness, pray, to be wrought on by exquisite music? — to feel its wondrous harmonies searching the subtlest windings of your soul, the delicate fibers of life where no memory can penetrate, and binding together your whole being past and present in one unspeakable vibration: melting you in one moment with all the tenderness, all the love that has been scattered through the toilsome years, concentrating in one emotion of heroic courage or resignation all the hard-learnt lessons of self-renouncing sympathy, blending your present joy with past sorrow, and your present sorrow with all your past joy?”
― Adam Bede
― Adam Bede

“The effective possibility of a vital religious fellowship which is so creative in character, so convincing in quality that it inspires the mind to multiply experiences of unity—which experiences of unity become over and over and over again more compelling than the concepts, the ways of life, the sects, and creeds that separate men.”
― The Creative Encounter
― The Creative Encounter

“I consider a tree.
I can look on it as a picture: stiff column in a shock of light, or splash of green shot with the delicate blue and silver of the background.
I can perceive it as movement: flowing veins on clinging, pressing pith, suck of the roots, breathing of the leaves, ceaseless commerce with earth and air—and the obscure growth itself.
I can classify it in a species and study it as a type in its structure and mode of life.
I can subdue its actual presence and form so sternly that I recognise it only as an expression of law — of the laws in accordance with which a constant opposition of forces is continually adjusted, or of those in accordance with which the component substances mingle and separate.
I can dissipate it and perpetuate it in number, in pure numerical relation.
In all this the tree remains my object, occupies space and time, and has its nature and constitution.
It can, however, also come about, if I have both will and grace, that in considering the tree I become bound up in relation to it. The tree is now no longer It. I have been seized by the power of exclusiveness.
To effect this it is not necessary for me to give up any of the ways in which I consider the tree. There is nothing from which I would have to turn my eyes away in order to see, and no knowledge that I would have to forget. Rather is everything, picture and movement, species and type, law and number, indivisibly united in this event.
Everything belonging to the tree is in this: its form and structure, its colours and chemical composition, its intercourse with the elements and with the stars, are all present in a single whole.
The tree is no impression, no play of my imagination, no value depending on my mood; but it is bodied over against me and has to do with me, as I with it — only in a different way.
Let no attempt be made to sap the strength from the meaning of the relation: relation is mutual.”
― I and Thou
I can look on it as a picture: stiff column in a shock of light, or splash of green shot with the delicate blue and silver of the background.
I can perceive it as movement: flowing veins on clinging, pressing pith, suck of the roots, breathing of the leaves, ceaseless commerce with earth and air—and the obscure growth itself.
I can classify it in a species and study it as a type in its structure and mode of life.
I can subdue its actual presence and form so sternly that I recognise it only as an expression of law — of the laws in accordance with which a constant opposition of forces is continually adjusted, or of those in accordance with which the component substances mingle and separate.
I can dissipate it and perpetuate it in number, in pure numerical relation.
In all this the tree remains my object, occupies space and time, and has its nature and constitution.
It can, however, also come about, if I have both will and grace, that in considering the tree I become bound up in relation to it. The tree is now no longer It. I have been seized by the power of exclusiveness.
To effect this it is not necessary for me to give up any of the ways in which I consider the tree. There is nothing from which I would have to turn my eyes away in order to see, and no knowledge that I would have to forget. Rather is everything, picture and movement, species and type, law and number, indivisibly united in this event.
Everything belonging to the tree is in this: its form and structure, its colours and chemical composition, its intercourse with the elements and with the stars, are all present in a single whole.
The tree is no impression, no play of my imagination, no value depending on my mood; but it is bodied over against me and has to do with me, as I with it — only in a different way.
Let no attempt be made to sap the strength from the meaning of the relation: relation is mutual.”
― I and Thou

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