Erin

“Imagine if you looked different to every person who saw you. Not, like, some people thought you were more or less attractive, but one person thinks you're a sixty-five-year-old cowboy from Wyoming complete with boots and hat and leathery skin, and the next person sees an eleven-year-old girl wearing a baseball uniform. You have no control over this, and what you look like has nothing to do with the life you have lived or even your genome. You have no idea what each person sees when they look at you. That's what fame is like. You think this sounds like beauty because we sometimes say that beauty is all in the eye of the one beholding the beauty. And, indeed, we don't get to decide if we are beautiful. Different people will have different opinions, and the only person who gets to decide if I'm attractive is the person looking at me. But then there is some consensus about what attractive is. Beauty is an attribute defined by human nature and culture. I can see my eyes and my lips and my boobs when I look in a mirror. I know what I look like. Fame is not this way. A person's fame is in everyone's head except their own. You could be checking into your flight at the airport and 999 people will see you as just another face in the crowd. The thousandth might think you're more famous than Jesus. As you can imagine, this makes fame pretty disorienting. You never know who knows what. You never know if someone is looking at you because you went to college with them or because they've been watching your videos or listening to your music or reading about you in magazines for years. You never know if they know you and love you. Worse, you never know if they know you and hate you.”
― Hank Green, An Absolutely Remarkable Thing

“In the days of Rohbeson’s Slaughterhouse, flies were everywhere, crawling up the walls like living designs. I used to fall asleep looking at them. Thinking about their world. Their society. Did they have kings? Did they steal from each other? My light fixture was black-full with bodies of them. I used to think they had feelings about certain people. People who noticed them. Certain people. Me.”
― Lynda Barry, Cruddy

“Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too.
Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.”
― Amy Schumer, The Girl with the Lower Back Tattoo

“I needed a darkness that would have killed the others. And they needed me to keep it a secret from them.”
― Karen Russell, Orange World and Other Stories