Miriam

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Der schwedische R...
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The Colour of Magic
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  (page 125 of 288)
May 05, 2026 08:00AM

 
Arven
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by Christopher Paolini (Goodreads Author)
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“Es ist der Absolutheitsglaube, der aus Kategorien Käfige macht. Also die vermessene Vorstellung, die eigene begrenzte, limitierte Perspektive auf diese Welt sei komplett, vollständig, universal. Der Hochmut, zu glauben, einen anderen Menschen in seiner ganzen Komplexität abschließend verstehen zu können. Oder gar eine ganze konstruierte Kategorie von Menschen abschließend verstanden zu haben.”
Kübra Gümüşay, Sprache und Sein

Marlen Haushofer
“Not that I'm afraid of becoming an animal. That wouldn't be too bad, but a human being can never become just an animal; he plunges beyond, into the abyss. I don't want this to happen to me. Recently that's what has made me most afraid, and it is out of that fear I am writing my report. Once I've reached the end I shall hide it well and forget about it. I don't want the strange thing that I might turn into to find it one day.”
Marlen Haushofer, The Wall

Marlen Haushofer
“I've suffered from anxieties like these as far back as I can remember, and I will suffer from them as long as any creature is entrusted to me. Sometimes, long before the wall existed, I wished I was dead, so that I could finally cast off my burden. I always kept quiet about this heavy load; a man wouldn't have understood, and the women felt exactly the same way as I did. And so we preferred to chat about clothes, friends and the theater and laugh, keeping our secret, consuming worry in our eyes. Each of us knew about it, and that's why we never discussed it. That was the price we paid for our ability to love.”
Marlen Haushofer, The Wall

“„Menschen so zu bezeichnen, wie sie bezeichnet werden wollen, ist keine Frage von Höflichkeit, auch kein Symbol politischer Korrektheit oder einer progressiven Haltung – es ist einfach eine Frage des menschlichen Anstands.”
Kübra Gümüşay, Sprache und Sein

Maggie O'Farrell
“She, like all mothers, constantly casts out her thoughts, like fishing lines, towards her children, reminding herself of where they are, what they are doing, how they fare. From habit, while she sits there near the fireplace, some part of her mind is tabulating them and their whereabouts: Judith, upstairs. Susanna, next door. And Hamnet? Her unconscious mind casts, again and again, puzzled by the lack of bite, by the answer she keeps giving it: he is dead, he is gone. And Hamnet? The mind will ask again. At school, at play, out at the river? And Hamnet? And Hamnet? Where is he? Here, she tries to tell herself. Cold and lifeless, on this board, right in front of you. Look, here, see. And Hamnet? Where is”
Maggie O'Farrell, Hamnet

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