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Crime and Punishment
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Oct 28, 2014 11:04PM

 
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Ta-Nehisi Coates
“Over the next twelve years, I came to regard Obama as a skilled politician, a deeply moral human being, and one of the greatest presidents in American history. He was phenomenal—the most agile interpreter and navigator of the color line I had ever seen. He had an ability to emote a deep and sincere connection to the hearts of black people, while never doubting the hearts of white people.”
Ta-Nehisi Coates, We Were Eight Years in Power: An American Tragedy

Anna Deavere Smith
“I said, “Los Angeles burned but Los Angeles is but one city experiencing this kind of hopelessness and despair,” I said, “and we need a job program with stipends …” I said, “These young people really, ya know, are not in anybody’s statistics or data. They’ve been dropped off of everybody’s agenda. They live from grandmama to mama to girlfriend.” I said, “We now got young people who are twenty, twenty-one, twenty-two years old who have never worked a day of their lives.” I said, “These are the young people in our streets and they are angry and they are frustrated.”
Anna Deavere Smith, Twilight: Los Angeles, 1992

“The clown isn’t an actor or character. The clown is a person representing all of us in one way or another, representing our imperfections and who we are, with the grand desire of creating a universal “us.”
Ezra LeBank, Clowns: In conversation with modern masters

Tara Westover
“I had discerned the ways in which we had been sculpted by a tradition given to us by others, a tradition of which we were either willfully or accidentally ignorant. I had begun to understand that we had lent our voices to a discourse whose sole purpose was to dehumanize and brutalize others—because nurturing that discourse was easier, because retaining power always feels like the way forward.”
Tara Westover, Educated

Brian W. Aldiss
“Science fiction is the search for a definition of mankind and his status in the universe which will stand in our advanced but confused state of knowledge (science), and is characteristically cast in the Gothic or post-Gothic mode.”
Brian Aldiss

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