Helisa Taban
https://www.goodreads.com/helisi
“It is a rule, to which there has never been an exception, that when an actor or a television performer rises up to the microphone at one of these awards ceremonies and expresses moral indignation over something, he illustrates Marshall McLuhan’s dictum that 'moral indignation is a standard strategy for endowing the idiot with dignity.”
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“ستوان پرسید:چرا می دویدید؟
مرتضی گفت:واسه این که صدای پاهام پشت سرم بود..خوشم می آمد.سالها بود که اونطوری جلوی خودم راه نرفته بودم.تازه مگر چند قدم دویدم.شاید از مثلا میز شما تا اون پنجره.این که اسمش دویدن نیس...هس؟”
― یوزپلنگانی که با من دویدهاند
مرتضی گفت:واسه این که صدای پاهام پشت سرم بود..خوشم می آمد.سالها بود که اونطوری جلوی خودم راه نرفته بودم.تازه مگر چند قدم دویدم.شاید از مثلا میز شما تا اون پنجره.این که اسمش دویدن نیس...هس؟”
― یوزپلنگانی که با من دویدهاند
“If an important decision is to be made, they [the Persians] discuss the question when they are drunk, and the following day the master of the house where the discussion was held submits their decision for reconsideration when they are sober. If they still approve it, it is adopted; if not, it is abandoned. Conversely, any decision they make when they are sober, is reconsidered afterwards when they are drunk.”
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“Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days—that's something else.”
― The Denial of Death
― The Denial of Death
“از آن زمان که آرزو چو نقشي از سراب شد
تمام جستجوي دل سوال بي جواب شد
نرفته کام تشنه اي به جستجوي چشمه ها
خطوط نقش زندگي چو نقشه اي بر آب شد
چه سينه سوز آه ها که خفته بر لبان ما
هزار گفتني به لب اسير پيچ و تاب شد
نه شور عارفانه اي نه شوق شاعرانه اي
قرار عاشقانه هم شتاب در شتاب شد
نه فرصت شکايتي نه قصه و روايتي
تمام جلوه هاي جان چو آرزو به خواب شد
نگاه منتظر به در نشست و عمر شد به سر
نيامده به خود دگر که دوره شباب شد”
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تمام جستجوي دل سوال بي جواب شد
نرفته کام تشنه اي به جستجوي چشمه ها
خطوط نقش زندگي چو نقشه اي بر آب شد
چه سينه سوز آه ها که خفته بر لبان ما
هزار گفتني به لب اسير پيچ و تاب شد
نه شور عارفانه اي نه شوق شاعرانه اي
قرار عاشقانه هم شتاب در شتاب شد
نه فرصت شکايتي نه قصه و روايتي
تمام جلوه هاي جان چو آرزو به خواب شد
نگاه منتظر به در نشست و عمر شد به سر
نيامده به خود دگر که دوره شباب شد”
―
Helisa’s 2024 Year in Books
Take a look at Helisa’s Year in Books, including some fun facts about their reading.
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