Helisa Taban
https://www.goodreads.com/helisi
“Yet, at the same time, as the Eastern sages also knew, man is a worm and food for worms. This is the paradox: he is out of nature and hopelessly in it; he is dual, up in the stars and yet housed in a heart-pumping, breath-gasping body that once belonged to a fish and still carries the gill-marks to prove it. His body is a material fleshy casing that is alien to him in many ways—the strangest and most repugnant way being that it aches and bleeds and will decay and die. Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order to blindly and dumbly rot and disappear forever. It is a terrifying dilemma to be in and to have to live with. The lower animals are, of course, spared this painful contradiction, as they lack a symbolic identity and the self-consciousness that goes with it. They merely act and move reflexively as they are driven by their instincts. If they pause at all, it is only a physical pause; inside they are anonymous, and even their faces have no name. They live in a world without time, pulsating, as it were, in a state of dumb being. This is what has made it so simple to shoot down whole herds of buffalo or elephants. The animals don't know that death is happening and continue grazing placidly while others drop alongside them. The knowledge of death is reflective and conceptual, and animals are spared it. They live and they disappear with the same thoughtlessness: a few minutes of fear, a few seconds of anguish, and it is over. But to live a whole lifetime with the fate of death haunting one's dreams and even the most sun-filled days—that's something else.”
― The Denial of Death
― The Denial of Death
“ستوان پرسید:چرا می دویدید؟
مرتضی گفت:واسه این که صدای پاهام پشت سرم بود..خوشم می آمد.سالها بود که اونطوری جلوی خودم راه نرفته بودم.تازه مگر چند قدم دویدم.شاید از مثلا میز شما تا اون پنجره.این که اسمش دویدن نیس...هس؟”
― یوزپلنگانی که با من دویدهاند
مرتضی گفت:واسه این که صدای پاهام پشت سرم بود..خوشم می آمد.سالها بود که اونطوری جلوی خودم راه نرفته بودم.تازه مگر چند قدم دویدم.شاید از مثلا میز شما تا اون پنجره.این که اسمش دویدن نیس...هس؟”
― یوزپلنگانی که با من دویدهاند
“[Aldous Huxley] compared the brain to a 'reducing valve'. In ordinary perception, the senses send an overwhelming flood of information to the brain, which the brain then filters down to a trickle it can manage for the purpose of survival in a highly competitive world. Man has become so rational, so utilitarian, that the trickle becomes most pale and thin. It is efficient, for mere survival, but it screens out the most wondrous part of man's potential experience without his even knowing it. We're shut off from our own world.”
― The Electric Kool-Aid Acid Test
― The Electric Kool-Aid Acid Test
“It is just when people are all engaged in snooping on themselves and one another that they become anesthetized to the whole process. Tranquilizers and anesthetics, private and corporate, become the largest business in the world just as the world is attempting to maximize every form of alert. Sound-light shows, as new cliché, are in effect mergers, retrievers of the tribal condition. It is a state that has already overtaken private enterprise, as individual businesses form into massive conglomerates. As information itself becomes the largest business in the world, data banks know more about individual people than the people do themselves. The more the data banks record about each one of us, the less we exist.”
― From Cliche to Archetype
― From Cliche to Archetype
“وقتی آدم یک نفر را دوست داشته باشد بیشتر تنهاست. چون نمیتواند به هیچ کس جز به همان آدم بگوید که چه احساسی دارد. و اگر آن آدم کسی باشد که تو را به سکوت تشویق میکند، تنهایی تو کامل میشود!”
― سمفونی مردگان
― سمفونی مردگان
Helisa’s 2025 Year in Books
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