105 books
—
31 voters
Daniel Frank
http://www.danfrank.ca
“Some people think it’s an insult to the glory of their sickness to get well.”
― East of Eden
― East of Eden
“Konstantin Levin regarded his brother as a man of immense intellect and culture, as generous in the highest sense of the word, and possessed of a special faculty for working for the public good. But in the depths of his heart, the older he became, and the more intimately he knew his brother, the more and more frequently the thought struck him that this faculty of working for the public good, of which he felt himself utterly devoid, was possibly not so much a quality as a lack of something — not a lack of good, honest, noble desires and tastes, but a lack of vital force, of what is called heart, of that impulse which drives a man to choose someone out of the innumerable paths of life, and to care only for that one. The better he knew his brother, the more he noticed that Sergey Ivanovitch, and many other people who worked for the public welfare, were not led by an impulse of the heart to care for the public good, but reasoned from intellectual considerations that it was a right thing to take interest in public affairs, and consequently took interest in them. Levin was confirmed in this generalization by observing that his brother did not take questions affecting the public welfare or the question of the immortality of the soul a bit more to heart than he did chess problems, or the ingenious construction of a new machine.”
― Anna Karenina
― Anna Karenina
“Your first minutes on the streets of an unfamiliar city are always special: what happens in later months or years can never supplant them. These minutes are filled with the visual equivalent of nuclear energy, a kind of nuclear power of attention. With penetrating insight and an all-pervading excitement, you absorb a huge universe – houses, trees, faces of passersby, signs, squares, smells, dust, cats and dogs, the color of the sky. During these minutes, like an omnipresent God, you bring a new world into being: you create, you build inside yourself a whole city with all its streets and squares, with its courtyards and patios, with its sparrows, with its thousands of years of history, with its food shops and its shops for manufactured goods, with its opera house and its canteens. This city that suddenly arises from nonbeing is a special city; it differs from the city that exists in reality – it is the city of a particular person.”
― An Armenian Sketchbook
― An Armenian Sketchbook
“One of the most moving moments in my life, was also one of the most ordinary. I was with a friend in Denmark. We were having strawberries for tea, and I noticed that she sliced the strawberries very very fine, almost like paper. Of course, it took longer than usual, and I asked her why she did it. When you eat a strawberry, she said, the taste of it comes from the open surfaces you touch. The more surfaces there are, the more it tastes. The finer I slice the strawberries, the more surfaces there are.”
― The Timeless Way of Building
― The Timeless Way of Building
“My ties with Fårö have several origins. The first was intuitive.
“This is your landscape, Bergman. It corresponds to your internal imaginings of forms, proportions, colours, horizons, sounds, silences, lights and reflections. Security is here. Don’t ask why. Explanations are clumsy rationalizations with hindsight. In, for instance, your profession you look for simplification, proportion, exertion, relaxation, breathing. The Fårö landscape gives you a wealth of all that.
Other reasons: I must find a counterweight to all the theatre. if I were to rant and rave on the shore, a gull, at most, would take off. On the stage, such an exhibition would be disastrous.
Sentimental reasons: I would retreat from the world, read the books I hadn't read, meditate, cleanse my soul. [after a month or two I was hopelessly involved in the islanders problems, something which resulted in the 1969 Fårö Document.)
Further sentimental reasons: during the filming of Persona, Liv and i were overwhelmed by passion. With monumental lack of judgment, I built the house with the idea of a mutual existence on the island. I forgot to ask Liv what she thought.”
― The Magic Lantern
“This is your landscape, Bergman. It corresponds to your internal imaginings of forms, proportions, colours, horizons, sounds, silences, lights and reflections. Security is here. Don’t ask why. Explanations are clumsy rationalizations with hindsight. In, for instance, your profession you look for simplification, proportion, exertion, relaxation, breathing. The Fårö landscape gives you a wealth of all that.
Other reasons: I must find a counterweight to all the theatre. if I were to rant and rave on the shore, a gull, at most, would take off. On the stage, such an exhibition would be disastrous.
Sentimental reasons: I would retreat from the world, read the books I hadn't read, meditate, cleanse my soul. [after a month or two I was hopelessly involved in the islanders problems, something which resulted in the 1969 Fårö Document.)
Further sentimental reasons: during the filming of Persona, Liv and i were overwhelmed by passion. With monumental lack of judgment, I built the house with the idea of a mutual existence on the island. I forgot to ask Liv what she thought.”
― The Magic Lantern
Daniel’s 2025 Year in Books
Take a look at Daniel’s Year in Books, including some fun facts about their reading.
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