Nicky Roding

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Nature Moderne
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Jan 10, 2026 09:43AM

 
La vie des formes...
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Charlotte Perriand
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Griet Op de Beeck
“Als je lang genoeg wacht, hoef je niet te kiezen.”
Griet Op de Beeck, Vele hemels boven de zevende

Charles Dickens
“He would make a lovely corpse.”
Charles Dickens, Martin Chuzzlewit
tags: other

Olga Tokarczuk
“He was a man of very few words, and as it was impossible to talk, one had to keep silent. It’s hard work talking to some people, most often males. I have a Theory about it. With age, many men come down with testosterone autism, the symptoms of which are a gradual decline in social intelligence and capacity for interpersonal communication, as well as a reduced ability to formulate thoughts. The Person beset by this Ailment becomes taciturn and appears to be lost in contemplation. He develops an interest in various Tools and machinery, and he’s drawn to the Second World War and the biographies of famous people, mainly politicians and villains. His capacity to read novels almost entirely vanishes; testosterone autism disturbs the character’s psychological understanding.”
Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

Zoë Heller
“Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.

People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.”
Zoë Heller, What Was She Thinking? [Notes on a Scandal]

“I thought I understood it, that I could grasp it but I didn’t. Not really. Only the smudginess of it, the pink slippered all contained semiprecious eagerness of it. I didn’t realise it sometimes would be more than whole, that the wholeness was a rather luxurious idea, because it’s the halves that halve you in half. I didn’t know; don’t know about the in-between bits of it. The gory bits of you and the gory bits of me.”
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