Lane Pybas

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Don't Step into M...
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by David Fishkind (Goodreads Author)
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Romina Paula
“You come to me, you appear to me in the night, the fact that you're not here appears to me, that I can't tell you this even though I pretend like I can, not being able to ever tell you is still something I can't understand. That you could have taken so long to decompose, too, that, too, I can't believe there's still so much left of you, down there, buried, hair and things like that, skin. I don't want to take anything, I never wanted to, and I would give (I don't know what, not everything because you wouldn't be there, but I'd give a lot) so much to be able to tell you, for real, to see you, to sing a song with you, shout it out hugging each other, have you over to my apartment, for you to get to know my house and my boyfriend, the one I have now, and have him get to know you and have you tell me which one's better, which one you like better, if it's Juli, if it's him, even though obviously you would like Manuel better, and in reality you wouldn't care about either of them, because the two of us is enough, there's nothing else, we never needed anything else, although we did.”
Romina Paula, Agosto

Patricia Lockwood
“And for you, I think, a religious life,' she said, a calm certainty all over her crisscrossed face. She didn't even bother with a question mark. My calling was so obvious; it was written all over me. Two years later, I would be living in my own convent as an order of one, typing poetry in the deep glowing hours to a stranger. Four close walls and cathedral space within, arriving with a rush to myself every moment.”
Patricia Lockwood, Priestdaddy

Romina Paula
“I had to live my life, and to do that I needed to go to Buenos Aires. I had to live my life, and to do that I needed to go to Buenos Aires.”
Romina Paula, Agosto

Romina Paula
“People work, not me. I look out the window, look out the window, out the window. Outside it's winter, and it's sunny. The doors don't shut properly, they don't shut, they're old. A phone rings through the wall. How come it takes such daunting effort to do what one likes? It's daunting, daunting to begin. I find it daunting to get started, and that seems not to be a fixable thing. The road to success, the road to success. Who knows? I get tired of myself. As pleasant as I find it here, as pleasant as a I find it. Did anyone pick up? In any case, the phone stopped ringing. What works better in fiction? Past or present tense? Weekends make me cranky, I don't like them, that imperative to have a good time, do things, do something special, the notion of free time. I prefer to seek out those things while other people work. People relaxing tend to look ridiculous, like out of place, grotesque. I'm unmotivated, a little, I realize, bored, overly calm, almost comfortable. I don't like where I live anymore, I'm fed up, I'm fed up with where I live. I want, somehow, to live differently. I'd take care of it, I'd take care of that baby if he gave it to me, if he wanted to give it to me, if he wanted.”
Romina Paula, Agosto

Patricia Lockwood
“I sometimes wish my childhood had been less obsessed with the question of why we are here. But that must be the question of any childhood. To write about your mother and father is to tell the story of your own close call, to count all the ways you never should have existed. To write about home is to write about how you dropped from space, dragging ellipses behind you like a comet, and how you entered your country and state and city, and finally your four-cornered house, and finally your mother's body and finally your own. From the galaxy to the grain and back again. From the fingerprint to the grand design. Despite all the conspiracies of the universe, we are here; every moment we are here we arrive.”
Patricia Lockwood, Priestdaddy

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