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Avalon, Rise
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Making Comics
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Syllabus: Notes F...
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Lidia Yuknavitch
“You can be a drunk. You can be a survivor of abuse. You can be an ex-con. You can be a homeless person. You can lose all your money or your job or a husband or a wife, or the worst thing imaginable, a child. You can lose your marbles. You can be standing inside your own failure, a small sad stone in your throat, and still you are beautiful, your story is worth hearing, because you--you rare and phenomenal misfit--are the only one in the world who can tell the story the way that only you can.”
― Lidia Yuknavitch, The Misfit's Manifesto

Patricia Lockwood
“I sometimes wish my childhood had been less obsessed with the question of why we are here. But that must be the question of any childhood. To write about your mother and father is to tell the story of your own close call, to count all the ways you never should have existed. To write about home is to write about how you dropped from space, dragging ellipses behind you like a comet, and how you entered your country and state and city, and finally your four-cornered house, and finally your mother's body and finally your own. From the galaxy to the grain and back again. From the fingerprint to the grand design. Despite all the conspiracies of the universe, we are here; every moment we are here we arrive.”
― Patricia Lockwood, Priestdaddy

Romina Paula
“People work, not me. I look out the window, look out the window, out the window. Outside it's winter, and it's sunny. The doors don't shut properly, they don't shut, they're old. A phone rings through the wall. How come it takes such daunting effort to do what one likes? It's daunting, daunting to begin. I find it daunting to get started, and that seems not to be a fixable thing. The road to success, the road to success. Who knows? I get tired of myself. As pleasant as I find it here, as pleasant as a I find it. Did anyone pick up? In any case, the phone stopped ringing. What works better in fiction? Past or present tense? Weekends make me cranky, I don't like them, that imperative to have a good time, do things, do something special, the notion of free time. I prefer to seek out those things while other people work. People relaxing tend to look ridiculous, like out of place, grotesque. I'm unmotivated, a little, I realize, bored, overly calm, almost comfortable. I don't like where I live anymore, I'm fed up, I'm fed up with where I live. I want, somehow, to live differently. I'd take care of it, I'd take care of that baby if he gave it to me, if he wanted to give it to me, if he wanted.”
― Romina Paula, Agosto

Patricia Lockwood
“When I was a child, I always hated being used in my father's sermons, shrunk to a symbol to illustrate some larger lesson, flattened out to give other people comfort or instruction or even a laugh. It did some violence to my third dimension; it made it difficult for me to breathe. 'That's not me,' I would think, listening to some fable where a stick figure of myself moved automatically toward a punishing moral. 'That has nothing to do with me at all.' If I had a soul, I thought, it was that resistance, which would never let another human being have the last word on me.”
― Patricia Lockwood, Priestdaddy

Patricia Lockwood
“Who among us is not the great I AM? Who among us doesn't live in a nightgown or some other bare-ass outfit at the center of his own wide sky--shining, unchanging, without beginning or end, a word in the east and a body in the west?”
― Patricia Lockwood, Priestdaddy

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OUR SHARED SHELF IS CURRENTLY DORMANT AND NOT MANAGED BY EMMA AND HER TEAM. Dear Readers, As part of my work with UN Women, I have started reading ...more
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