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“Death without End Nothing can stand in the way of glory, solitary and solar,
the virtues of a man or a people reduced, primarily by analysis,
to no more than a hollow vessel...but the shame that remains,
after a life of betrayal, or even a single act of betrayal,
is more certain and less likely to be injurious than glory... A people that is remembered only by periods of glory or men
of virtue, will always be in doubt about itself, reduced to being
an empty vessel. The crimes of which it is ashamed are what
make its true history, and for a man it is the same. JEAN GENET (Letters to Roger Blin on The Screens)”
― Algerian White
the virtues of a man or a people reduced, primarily by analysis,
to no more than a hollow vessel...but the shame that remains,
after a life of betrayal, or even a single act of betrayal,
is more certain and less likely to be injurious than glory... A people that is remembered only by periods of glory or men
of virtue, will always be in doubt about itself, reduced to being
an empty vessel. The crimes of which it is ashamed are what
make its true history, and for a man it is the same. JEAN GENET (Letters to Roger Blin on The Screens)”
― Algerian White
“The goal is to get to the place where we can think, I am aware of what’s happening, the part I play, and how I can make it better, and that doesn’t mean I have to deny the joy in my life.”
― Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone
― Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone
“Every profession that attracts people for “reasons of the heart” is a profession in which people and the work they do suffer from losing heart. Like teachers, these people are asking, “How can we take heart again so that we can give heart to others?”—which is why they undertook their work in the first place.”
― The Courage to Teach: Exploring the Inner Landscape of a Teacher's Life
― The Courage to Teach: Exploring the Inner Landscape of a Teacher's Life
“My father was a nobleman when he spoke his mother tongue, and a worker from the lowest class when he went over into French. Except”
― The Tongue's Blood Does Not Run Dry: Algerian Stories
― The Tongue's Blood Does Not Run Dry: Algerian Stories
“I am my own biggest critic. Before anyone else has criticized me, I have already criticized myself. But for the rest of my life, I am going to be with me and I don't want to spend my life with someone who is always critical. So I am going to stop being my own critic. It's high time that I accept all the great things about me.”
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