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The Midnight Train
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by Matt Haig (Goodreads Author)
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  (page 200 of 296)
— Sep 23, 2026 06:24PM

 
Book cover for The Midnight Train (The Midnight World, #2)
“Well, you stand in front of a Leonardo from, I don’t know, 1498, and it’s powerful because the painting is as it was then. The emotions and feelings of it are fresh. It hasn’t gone off. It is 1498 right there in front of you. The world ...more
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Lisa Wingate
“I learned that you need not be born into a family to be loved by one.”
― Lisa Wingate, Before We Were Yours

Justin Cronin
“Proctor realized what he’s seeing: a memory in the making, of the night when her father handed her the tiller and put her in charge. The though delights him, though not without an underlying twinge of melancholy: his little girl is growing up so fast. The day will come when she’ll leave him, leave both of them, behind; friends, boys, new experiences, all will take the stage until, one day, he’ll look up to find her gone, off with a family of her own. But isn’t that also something to look forward to? To watch his daughter, whom, not so long ago, he held in the palm of a single hand, step into the flow of life? It’s all very complex, and it seems to him that within this complexity lies the true essence of loving a child: a joy so intense that it can feel like sadness.”
― Justin Cronin, The Ferryman

Christopher Hitchens
“[On Jerry Falwell] No, and I think it’s a pity there isn’t a hell for him to go to... The empty life of this ugly little charlatan proves only one thing: that you can get away with the most extraordinary offenses to morality and to truth in this country if you’ll just get yourself called Reverend. Who would, even at your network, have invited on such a little toad to tell us that the attacks of September 11th were the result of our sinfulness and were God’s punishment if they hadn’t got some kind of clerical qualification. People like that should be out in the street, shouting and hollering with a cardboard sign and selling pencils from a cup.”
― Christopher Hitchens

Matt Haig
“Well, you stand in front of a Leonardo from, I don’t know, 1498, and it’s powerful because the painting is as it was then. The emotions and feelings of it are fresh. It hasn’t gone off. It is 1498 right there in front of you. The world grows old around art. But the art is still as powerful and fresh as it always was…if that makes any sense…”
― Matt Haig, The Midnight Train

3879 The Atheist Book Club — 1670 members — last activity Aug 04, 2026 03:15PM
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