“Pylades: I’ll take care of you.
Orestes: It’s rotten work.
Pylades: Not to me. Not if it’s you.”
―
Orestes: It’s rotten work.
Pylades: Not to me. Not if it’s you.”
―
“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.”
―
―
“If we meet each other in hell, it's not hell.”
― Broken Hierarchies: Poems 1952-2012
― Broken Hierarchies: Poems 1952-2012
“Idle youth, enslaved to everything; by being too sensitive I have wasted my life.”
― Selected Poems and Letters
― Selected Poems and Letters
“My turn now. The story of one of my insanities.
For a long time I boasted that I was master of all possible landscapes-- and I thought the great figures of modern painting and poetry were laughable.
What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children's books, old operas, silly old songs, the naive rhythms of country rimes.
I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic.
I invented colors for the vowels! A black, E white, I red, O blue, U green. I made rules for the form and movement of every consonant, and I boasted of inventing, with rhythms from within me, a kind of poetry that all the senses, sooner or later, would recognize. And I alone would be its translator.
I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.”
―
For a long time I boasted that I was master of all possible landscapes-- and I thought the great figures of modern painting and poetry were laughable.
What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children's books, old operas, silly old songs, the naive rhythms of country rimes.
I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic.
I invented colors for the vowels! A black, E white, I red, O blue, U green. I made rules for the form and movement of every consonant, and I boasted of inventing, with rhythms from within me, a kind of poetry that all the senses, sooner or later, would recognize. And I alone would be its translator.
I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.”
―
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