Tuesday

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The Day I Became ...
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Feb 03, 2023 03:49PM

 
Gay Bar: Why We W...
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by Jeremy Atherton Lin (Goodreads Author)
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Nonbinary: A Memoir
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Warsan Shire
“the year of letting go, of understanding loss. grace. of the word ‘no’ and also being able to say ‘you are not kind’. the year of humanity/humility. when the whole world couldn’t get out of bed. everyone i’ve met this year, says the same thing ‘you are so easy to be around, how do you do that?’. the year i broke open and dug out all the rot with own hands. the year i learnt small talk. and how to smile at strangers. the year i understood that i am my best when i reach out and ask ‘do you want to be my friend?’. the year of sugar, everywhere. softness. sweetness. honey honey. the year of being alone, and learning how much i like it. the year of hugging people i don’t know, because i want to know them. the year i made peace and love, right here.”
Warsan Shire

Haruki Murakami
“She's letting out her feelings. The scary thing is not being able to do that. When your feelings build up and harden and die inside, then you're in big trouble.”
Haruki Murakami, Norwegian Wood

Kate Bornstein
“We have looked for myths that include us in great novels, music, the latest comic book, or even some stupid advertising campaign. We'll look anywhere for a mythology that embraces people like ourselves.”
Kate Bornstein, Hello Cruel World: 101 Alternatives to Suicide for Teens, Freaks & Other Outlaws

“One of the cruelest tricks our culture plays on autistic people is that it makes us strangers to ourselves. We grow up knowing we're different, but that difference is defined for us in terms of an absence of neurotypicality, not as the presence of another equally valid way of being.”
Julia Bascom, Loud Hands: Autistic People, Speaking

Brian Eno
“Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.”
Brian Eno, A Year With Swollen Appendices

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