benjamin adam

“Destruction, in other words, is an effort to differentiate. In childhood, if things go well, destruction results simply in survival;”
― Jessica Benjamin, The Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination

“discursive regimes of the late eighteenth century drew the figure of man into the sand, and even if he manages to survive the etching, typing, and storing of the late nineteenth-century analog media, he is certain to disappear with the compression of that sand into silicon.”
― Geoffrey Winthrop-Young, Kittler and the Media

“In this manner, The PJs insists that racism involves more than the mobilization of stereotypes, that in fact it extends far beyond matters of visual representation. While this is a relatively simple point, it nonetheless invites us to push beyond the prevailing methods in media studies, where a focus on analyzing stereotypes dominates the conversation about race to the extent that racism often becomes inadvertently reduced to bad representation, and antiracist politics are often depicted merely as a struggle over the content of specific images. Yet the struggles depicted on The PJs are rarely about imagery; indeed, in a culture where it is impossible to separate racism from class politics, the struggles remain lived and felt primarily in relations of power not visible at all.”
― Sianne Ngai, Ugly Feelings

“Man will only be abolished “like a face drawn in sand at the edge of the sea” if we disarticulate the modern human (Man) from its twin: racializing assemblages.”
― Alexander G. Weheliye, Habeas Viscus: Racializing Assemblages, Biopolitics, and Black Feminist Theories of the Human