Kenny

“Many of the streams that feed the river of culture are polluted, and the soil this river should be watering is thus parched and fragmented. Most of these we know, but let me briefly touch on some of the fault lines in the cultural soil (starving the soul) as well as some of the sources of the poisons in the water (polluting the soul).   Starving the cultural soul   One of the most powerful sources of cultural fragmentation has grown out of the great successes of the industrial revolution. Its vision, standards, and methods soon proliferated beyond the factory and the economic realm and were embraced in sectors from education to government and even church. The result was reductionism. Modern people began to equate progress with efficiency. Despite valiant and ongoing resistance from many quarters—including industry—success for a large part of our culture is now judged by efficient production and mass consumption. We often value repetitive, machine-like performance as critical to “bottom line” success. In the seductive industrialist mentality, “people” become “workers” or “human resources,” who are first seen as interchangeable cogs, then treated as machines—and are now often replaced by machines.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for our Common Life

“The ancients who wished to demonstrate illustrious virtue throughout the kingdom, first ordered well their own states. Wishing to order well their states, they first regulated their families. Wishing to regulate their families, they first cultivated their persons. Wishing to cultivate their persons, they first rectified their hearts. Wishing to rectify their hearts, they first sought to be sincere in their thoughts. Wishing to be sincere in their thoughts, they first extended to the utmost their knowledge. Such extention of knowledge lay in the investigation of things… From the Son of Heaven down to the mass of the people, all must consider the cultivation of the person the root of everything besides.”
― Anonymous

“The original Christians regarded the deposit of faith, as finally inseparable from the very living substance of the Gospel in the saving event of Christ crucified, risen and glorified, but as once and for all entrusted to the church through its apostolic foundation in Christ, informing, structuring and quickening its life and faith and mission as the body of Christ in the world... While the deposit of faith was replete with the truth as it is in Jesus, embodying kerygmatic, didactic and theological content, but its very nature it could not be resolved into a system of truths or set of normative doctrines and formulated beliefs, for the truths and doctrines and beliefs entailed could not be abstracted from the embodied form which they were given in Christ in the apostolic foundation of the church without loss of their real substance. Nevertheless in this embodied form "the faith once for all delivered to the saints" constituted the regulative basis for all explicit formulation of Christian truth, doctrine and belief in the deepening understanding of the church and its regular instruction of catechumens and the faithful. app is”
― Thomas F. Torrance, The Trinitarian Faith: The Evangelical Theology of the Ancient Catholic Faith

“An industrial map in the mid-twentieth century colored New York’s Hudson River black. The mapmakers considered a black river a good thing—full of industry! The more factory outputs, the more progress. When that map was made, “nature” was widely seen as a resource to be exploited. Few people considered the consequences of careless disposal of industrial waste. The culture has shifted dramatically over the last fifty years. When I share this story today, most people shudder and ask how anyone could think of a polluted river as good.   But today we are doing the same thing with the river of culture. Think of the arts and other cultural enterprises as rivers that water the soil of culture. We are painting this cultural river black—full of industry, dominated by commercial interests, careless of toxic byproducts—and there are still cultural mapmakers who claim that this is a good thing. The pollution makes it difficult to for us to breathe, difficult for artists to create, difficult for any of us to see beauty through the murk.”
― Makoto Fujimura, Culture Care: Reconnecting with Beauty for our Common Life