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Book cover for Mother Country
I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I can only feel in my bones and which can only be experienced in those bones.
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Holly Black
“You want me to stay the heir while you two go off somewhere? And then I can step down, be de-princed, whatever?”
“Exactly that,” says Cardan.
“Like on a vacation?”
Cardan snorts.
“I don’t understand,” Oak says. “Where are you going?”
“A diplomatic mission,” says Cardan, leaning back on the cushions. “After that last little rescue, Nicasia has demanded we honor our treaty, meet her suitors, and witness the contest for her hand and crown. And so Jude and I are headed to the Undersea, where we will go to a lot of parties and try very hard not to die.”
Holly Black, The Prisoner’s Throne

Faridah Àbíké-Íyímídé
“Sometimes justice looked like this: it wasn’t fair, and it wasn’t just. But it was something. A start.”
Faridah Àbíké-Íyímídé, Where Sleeping Girls Lie

Amal El-Mohtar
“(What is a river but an open throat; what is water but a voice?)”
Amal El-Mohtar, The River Has Roots

Amal El-Mohtar
“Bel,” she said helplessly, around the fire in her throat. “Queen of ducks and angels. You shall have poems written to you with a quill on fire. You shall have songs sung to you by enchanted harps. Whole branches of grammar will be invented only to praise you.” “Ysabel Hawthorn,” she said, and she could not keep the heat from her voice, “demand better than to be worshipped by a crumb.”
Amal El-Mohtar, The River Has Roots

Amal El-Mohtar
“Most music is the result of some intimacy with an instrument. One wraps one’s mouth around a whistle and pours one’s breath into it; one all but lays one’s cheek against a violin; and skin to skin is holy drummer’s kiss. But a harp is played most like a lover: you learn to lean its body against your breast, find those places of deepest, stiffest tension with your hands and finger them into quivering release.”
Amal El-Mohtar, The River Has Roots

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