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The Dream Thieves...
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Insurgent Empire:...
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Computational For...
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Kaveh Akbar
“He felt a flash of familiar shame—his whole life had been a steady procession of him passionately loving what other people merely liked, and struggling, mostly failing, to translate to anyone else how and why everything mattered so much.”
Kaveh Akbar, Martyr!

Maggie Stiefvater
“Being Adam Parrish was a complicated thing, a wonder of muscles and organs, synapses and nerves. He was a miracle of moving parts, a study in survival. The most important thing to Adam Parrish, though, had always been free will, the ability to be his own master.
This was the important thing.
It had always been the important thing.
This was what it was to be Adam.”
Maggie Stiefvater, The Raven Boys

Kaveh Akbar
“Love was a room that appeared when you stepped into it.”
Kaveh Akbar, Martyr!

Ocean Vuong
“In Vietnamese, the word for missing someone and remembering them is the same: nhớ. Sometimes, when you ask me over the phone, Có nhớ mẹ không? I flinch, thinking you meant, Do you remember me?

I miss you more than I remember you.”
Ocean Vuong, On Earth We're Briefly Gorgeous

Kaveh Akbar
“For our species, the idea of art as ornament is a relatively new one. Our ape brains got too big, too big for our heads, too big for our mothers to birth them. So we started keeping all our extra knowing in language, in art, in stories and books and songs. Art was a way of storing our brains in each other’s. It wasn’t until fairly recently in human history, when rich landowners wanted something pretty to look at in winter, that the idea of art-as-mere-ornament came around. A painting of a blooming rose to hang on the mantel when the flowers outside the window had gone to ice. And still in the twenty-first century, it’s hard for folks to move past that. This idea that beauty is the horizon toward which all great art must march. I’ve never been interested in that. “As heaven spins, I fall into bedlam.”
Kaveh Akbar, Martyr!

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