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The Lonely City: ...
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  (page 176 of 336)
""It was becoming increasingly easy to see how people ended up vanishing in cities, disappearing in plain sight . . . I was getting a taste of it, all right, but what on earth would it be like to live the whole of your life like this, occupying the blind spot in other people's existences, their noisy intimacies? If anyone can be said to have worked from that place, it's Henry Darger" (p. 136)." Apr 13, 2016 07:57PM

 
Unforgiving Years
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  (page 100 of 341)
Mar 13, 2016 10:17PM

 
Mythologies: Comp...
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  (page 135 of 274)
""Garbo's face is an Idea, Hepburn's an Event" (p. 75, "Garbo's Face").

"If God is really speaking through Dr. Graham's mouth, it must be acknowledged that God is quite stupid" (p. 110, "Billy Graham at the Vel' d'Hiv'")."
Aug 26, 2013 05:52PM

 
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Sally Mann
“I tend to agree with the theory that if you want to keep a memory pristine, you must not call upon it too often, for each time it is revisited, you alter it irrevocably, remembering not the original impression left by experience but the last time you recalled it. With tiny differences creeping in at each cycle, the exercise of our memory does not bring us closer to the past but draws us further away.”
Sally Mann, Hold Still: A Memoir with Photographs

Paul Éluard
“She always walked under the arches of nights
And everywhere she went
She left
The mark of broken things.”
Paul Éluard, Capital of Pain

Thomas Bernhard
“Our libraries are so to speak prisons where we've locked up our intellectual giants, naturally Kant has been put in solitary confinement, like Nietzsche, like Schopenhauer, like Pascal, like Voltaire, like Montaigne, all the real giants have been put in solitary confinement, all the others in mass confinement, but everyone for ever and ever, my friend, for all time and unto eternity, that's the truth.”
Thomas Bernhard, The Loser

Karl Ove Knausgård
“Modernist literature with all its vast apparatus was an instrument, a form of perception, and once absorbed, the insights it brought could be rejected without its essence being lost, even the form endured, and it could be applied to your own life, your own fascinations, which could then suddenly appear in a new and significant light. Espen took that path, and I followed him like a brainless puppy, it was true, but I did follow him. I leafed through Adorno, read some passages of Benjamin, sat bowed over Blanchot for a few days, had a look at Derrida and Foucault, had a go at Kristeva, Lacan, Deleuze, while poems by Ekelöf, Björling, Pound, Mallarmé, Rilke, Trakl, Ashbery, Mandelstam, Lunden, Thomsen, and Hauge floated around, on which I spent more than a few minutes, I read them as prose, like a book by MacLean or Bagley, and learned nothing, understood nothing, but just having contact with them, having their books in the bookcase, led to a shifting of consciousness, just knowing they existed was an enrichment, and if they didn't furnish me with insights I became all the richer for intuitions and feelings.”
Karl Ove Knausgård, Min kamp 1

Karl Ove Knausgård
“For humans are merely one form among many, which the world produces over and over again, not only in everything that lives but also in everything that does not live, drawn in sand, stone, and water. And death, which I have always regarded as the greatest dimension of life, dark, compelling, was no more than a pipe that springs a leak, a branch that cracks in the wind, a jacket that slips off a clothes hanger and falls to the floor.”
Karl Ove Knausgård, Min kamp 1
tags: death

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