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The Lonely City: ...
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  (page 176 of 336)
""It was becoming increasingly easy to see how people ended up vanishing in cities, disappearing in plain sight . . . I was getting a taste of it, all right, but what on earth would it be like to live the whole of your life like this, occupying the blind spot in other people's existences, their noisy intimacies? If anyone can be said to have worked from that place, it's Henry Darger" (p. 136)." Apr 13, 2016 07:57PM

 
Unforgiving Years
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  (page 100 of 341)
Mar 13, 2016 10:17PM

 
Mythologies: Comp...
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  (page 135 of 274)
""Garbo's face is an Idea, Hepburn's an Event" (p. 75, "Garbo's Face").

"If God is really speaking through Dr. Graham's mouth, it must be acknowledged that God is quite stupid" (p. 110, "Billy Graham at the Vel' d'Hiv'")."
Aug 26, 2013 05:52PM

 
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Sally Mann
“I tend to agree with the theory that if you want to keep a memory pristine, you must not call upon it too often, for each time it is revisited, you alter it irrevocably, remembering not the original impression left by experience but the last time you recalled it. With tiny differences creeping in at each cycle, the exercise of our memory does not bring us closer to the past but draws us further away.”
Sally Mann, Hold Still: A Memoir with Photographs

Karl Ove Knausgård
“But Dad was no longer breathing. That was what had happened to him, the connection with the air had been broken, now it pushed against him like any other object, a log, a gasoline can, a sofa. He no longer poached air, because that is what you do when you breathe, you trespass, again and again you trespass on the world. He was lying somewhere in town now.”
Karl Ove Knausgård, Min kamp 1

Thomas Bernhard
“All my tendencies are deadly ones, he once said to me, everything in me has a deadly tendency to it, it's in my genes, as Wertheimer said, I thought. He always read books that were obsessed with suicide, with disease and death, I thought while standing in the inn, books that described human misery, the hopeless, meaningless, senseless world in which everything is always devastating and deadly. That's why he especially loved Dostoevsky and all his disciples, Russian literature in general, because it actually is a deadly literature, but also the depressing French philosophers.”
Thomas Bernhard, The Loser

Gabriel García Márquez
“She was beautiful and lithe, with soft skin the color of bread and eyes like green almonds, and she had straight black hair that reached to her shoulders, and an aura of antiquity that could just as well have been Indonesian as Andean. She was dressed with subtle taste: a lynx jacket, a raw silk blouse with very delicate flowers, natural linen trousers, and shoes with a narrow stripe the color of bougainvillea. ‘This is the most beautiful woman I’ve ever seen,’ I thought, when I saw her pass by with the stealthy stride of a lioness, while I waited in the check-in line at Charles de Gaulle Airport in Paris for the plane to New York.”
Gabriel Garcí­a Márquez, Strange Pilgrims: Twelve Stories

Paul Éluard
“She always walked under the arches of nights
And everywhere she went
She left
The mark of broken things.”
Paul Éluard, Capital of Pain

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