Tim Miller

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Ishi Means Man: [...
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How to Eat
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The Selected Letters
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David James Duncan
“A native is a man or creature or plant indigenous to a limited geographical area - a space boundaried and defined by mountains, rivers, or coastline (not by latitudes, longitudes, or state and county lines), with its own peculiar mixture of weeds, trees, bugs, birds, flowers, streams, hills, rocks, and critters (including people), its own nuances of rain, wind, and seasonal change. Native intelligence develops through an unspoken or soft spoken relationship with these interwoven things: it evolves as the native involves himself in his region. A non-native awakes in the morning in a body in a bed in a room in a building on a street in a county in a state in a nation. A native awakes in the in the center of a little cosmos - or a big one, if his intelligence is vast - and he wears this cosmos like a robe, senses the barely perceptible shiftings, migrations, moods, and machinations of its creatures, its growing green things, its earth and sky. Native intelligence is what Huck Finn had rafting the Mississippi, what Thoreau had by his pond, what Kerouac had in Desolation Lookout and lost entirely the instant he caught a whiff of any city. But some have it in cities - like the Artful Dodger, picking his way through a crowd of London pockets; like Mother Teresa in the Calcutta slums. Sissy Hankshaw had it on freeways, Woody Guthrie in crowds of fruit pickers, Ghandi in jails. Almost everybody has a dab of it wherever he or she feels most at home..”
David James Duncan, The River Why

Larry McMurtry
“He liked to get off by himself, a mile or so from camp, and listen to the country, not the men.”
Larry McMurtry, Lonesome Dove

Akira Kurosawa
“Ignorance is a kind of insanity in the human animal.”
Akira Kurosawa, Something Like an Autobiography

Akira Kurosawa
“For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film.”
Akira Kurosawa, Something Like an Autobiography

Erich Maria Remarque
“To me the front is a mysterious whirlpool. Though I am in still water far away from its centre, I feel the whirl of the vortex sucking me slowly, irresistibly, inescapable into itself. From the earth, from the air, sustaining forces pour into us—mostly from the earth. To no man does the earth mean so much as to the soldier. When he presses himself down upon her long and powerfully, when he buries his face and his limbs deep in her from the fear of death by shell-fire, then she is his only friend, his brother, his mother; he stifles his terror and his cries in her silence and her security; she shelters him and releases him for ten seconds to live, to run, ten seconds of life; receives him again and often for ever. Earth!—Earth!—Earth! Earth with thy folds, and hollows, and holes, into which a man may fling himself and crouch down. In the spasm of terror, under the hailing of annihilation, in the bellowing death of the explosions, O Earth, thou grantest us the great resisting surge of new-won life. Our being, almost utterly carried away by the fury of the storm, streams back through our hands from thee, and we, thy redeemed ones, bury ourselves in thee, and through the long minutes in a mute agony of hope bite into thee with our lips! At the sound of the first droning of the shells we rush back, in one part of our being, a thousand years. By the animal instinct that is awakened in us we are led and protected. It is not conscious; it is far quicker, much more sure, less fallible, than consciousness. One cannot explain it. A man is walking along without thought or heed;—suddenly he throws himself down on the ground and a storm of fragments flies harmlessly over him;—yet he cannot remember either to have heard the shell coming or to have thought of flinging himself down. But had he not abandoned himself to the impulse he would now be a heap of mangled flesh. It is this other, this second sight in us, that has thrown us to the ground and saved us, without our knowing how. If it were not so, there would not be one man alive from Flanders to the Vosges. We march up, moody or good-tempered soldiers—we reach the zone where the front begins and become on the instant human animals. An”
Erich Maria Remarque, All Quiet on the Western Front

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