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Flavia
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“Whatever causes night in our souls may leave stars.”
― Ninety-Three
― Ninety-Three
“I am not a woman, but the light that falls on this gate, on this ground. I am the seasons, I think sometimes, January, May, November; the mud, the mist, the dawn. I cannot be tossed about, or float gently, or mix with other people.”
―
―
“Poetry turns all things to loveliness; it exalts the beauty of that which is most beautiful, and it adds beauty to that which is most deformed; it marries exultation and horror, grief and pleasure, eternity and change; it subdues to union under its light yoke all irreconcilable things. It transmutes all that it touches, and every form moving within the radiance of its presence is changed by wondrous sympathy to an incarnation of the spirit which it breathes: its secret alchemy turns to potable gold the poisonous waters which flow from death through life; it strips the veil of familiarity from the world, and lays bare the naked and sleeping beauty, which is the spirit of its forms.”
― A Defence of Poetry and Other Essays
― A Defence of Poetry and Other Essays
“Whether that lady's gentle mind,
No longer with the form combined
Which scattered love, as stars do light,
Found sadness where it left delight,
I dare not guess; but in this life
Of error, ignorance, and strife,
Where nothing is, but all things seem,
And we the shadows of the dream,
It is a modest creed, and yet
Pleasant if one considers it,
To own that death itself must be,
Like all the rest, a mockery.
That garden sweet, that lady fair,
And all sweet shapes and odors there,
In truth have never passed away:
'Tis we, 'tis ours, are changed; not they.
For love, and beauty, and delight,
There is no death or change: their might
Exceeds our organs, which endure
No light, being themselves obscure.
(--Conclusion, Autumn - A Dirge)”
―
No longer with the form combined
Which scattered love, as stars do light,
Found sadness where it left delight,
I dare not guess; but in this life
Of error, ignorance, and strife,
Where nothing is, but all things seem,
And we the shadows of the dream,
It is a modest creed, and yet
Pleasant if one considers it,
To own that death itself must be,
Like all the rest, a mockery.
That garden sweet, that lady fair,
And all sweet shapes and odors there,
In truth have never passed away:
'Tis we, 'tis ours, are changed; not they.
For love, and beauty, and delight,
There is no death or change: their might
Exceeds our organs, which endure
No light, being themselves obscure.
(--Conclusion, Autumn - A Dirge)”
―
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