Javier Batterton

“They say it came first from Africa, carried in the screams of the enslaved; that it was the death bane of the Thainos, uttered just as one world perished and another began; that it was a demon drawn into Creation through the nightmare door that was cracked open in the Antilles. Fukú Americanus, or more colloquially, fukú-generally a curse or a doom of some kind; specifically the Curse and Doom of the New World.”
― Junot Díaz, The Brief Wondrous Life of Oscar Wao

“Cold?” Christian asks softly and bends to lick and suckle all the ice cream off me once more, his mouth hot compared to the cool of the ice.
Oh my. It’s torture. As it starts to melt, the ice cream runs off me in rivulets on to the bed. His lips continue their slow torture, sucking hard, nuzzling, softly—Oh please!—I’m panting.
“Want some?” And before I can confirm or deny his offer, his tongue is in my mouth, and it’s cold and skilled and tastes of Christian and vanilla. Delicious.”
― E.L. James, Fifty Shades Darker

“Then the bow orchestra began to play an apocalyptically beautiful canon, one of those pieces in which, surely, the composer simply transcribed what was given, and trembled in awe of the hand that was guiding him.”
― Mark Helprin, Winter's Tale

“She was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddam movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.”
― J.D. Salinger, The Catcher in the Rye