Alex Tsankov

“Talking to a drunk person was like talking to an extremely happy, severely brain-damaged three-year-old.”
― John Green, Paper Towns

“Mom took me off the BiPAP, I tethered myself to a portable tank, and stumbled into my bathroom to brush my teeth. Appraising myself in the mirror as I brushed my teeth, I kept thinking there were two kinds of adults: There were Peter Van Houtens - miserable creatures who scoured the earth in search of something to hurt. And then there were people like my parents, who walked around zombically, doing whatever they had to do to keep walking around. Neither of these futures struck me as particularly desirable. It seemed to me that I had already seen everything pure and good in the world, and I was beginning to suspect that even if death didn't get in the way, the kind of love Augustus and I share could never last. So dawn goes down to day, the poet wrote. Nothing gold can stay.”
― John Green, The Fault in Our Stars

“They ask me things like: what is the right way to address a duke? An’ once again I have to point out that it is a matter of fine details, such as, if there’s a gate needs holdin’ open and it looks like half a dollar might be forthcoming, it’s ‘G’day, your graciousness,’ whereas if you’ve just set fire to his ancestral piles and the mob is breakin’ the windows it is more suitable to address him as ‘you bloated lying blutocat!’ It is all a matter of finesse”
― Terry Pratchett

“What about animals slaughtered for our consumption? who among us would be able to continue eating pork chops after visiting a factory farm in which pigs are half-blind and cannot even properly walk, but are just fattened to be killed? And what about, say, torture and suffering of millions we know about, but choose to ignore? Imagine the effect of having to watch a snuff movie portraying what goes on thousands of times a day around the world: brutal acts of torture, the picking out of eyes, the crushing of testicles -the list cannot bear recounting. Would the watcher be able to continue going on as usual? Yes, but only if he or she were able somehow to forget -in an act which suspended symbolic efficiency -what had been witnessed. This forgetting entails a gesture of what is called fetishist disavowal: "I know it, but I don't want to know that I know, so I don't know." I know it, but I refuse to fully assume the consequences of this knowledge, so that I can continue acting as if I don't know it.”
― Slavoj Žižek, Violence: Six Sideways Reflections