47 books
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23 voters
Sarah
https://www.goodreads.com/sporter815
“It just got ugly in the 1970s for New Journalism, hastened by the decline of general interest magazine. So what happened? Television, mostly, which siphoned away readers and ad dollars, turned celebrity culture into a growth industry, and assured the end of Life, the Saturday Evening Post, and Collier’s – magazine that had published Mailer, Didion, Hersey, and many others. Esquire, New York, and Rolling Stones were no longer must-reads for an engaged readership that couldn’t wait for the next issue to arrive in their mailboxes, eager to find out what Wolfe, Talese, Thompson, and the rest had in store for them. As the seventies drew to a close, so, too, did the last golden era of American journalism.
But there was also a sense of psychic exhaustion – that the great stories had all been told and there was nothing left to write about.”
― Who's Afraid of Tom Wolfe? : How New Journalism Rewrote the World
But there was also a sense of psychic exhaustion – that the great stories had all been told and there was nothing left to write about.”
― Who's Afraid of Tom Wolfe? : How New Journalism Rewrote the World
“Let us be grateful to the people who make us happy; they are the charming gardeners who make our souls blossom.”
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“Even if people say that I don't have a character still I am a well known character. Thanks to all such people for giving me at least some character to begin with.”
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“All of that art-for-art’s-sake stuff is BS,” she declares. “What are these people talking about? Are you really telling me that Shakespeare and Aeschylus weren’t writing about kings? All good art is political! There is none that isn’t. And the ones that try hard not to be political are political by saying, ‘We love the status quo.’ We’ve just dirtied the word ‘politics,’ made it sound like it’s unpatriotic or something.” Morrison laughs derisively. “That all started in the period of state art, when you had the communists and fascists running around doing this poster stuff, and the reaction was ‘No, no, no; there’s only aesthetics.’ My point is that is has to be both: beautiful and political at the same time. I’m not interested in art that is not in the world. And it’s not just the narrative, it’s not just the story; it’s the language and the structure and what’s going on behind it. Anybody can make up a story.”
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“Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming "Wow! What a Ride!”
― The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967
― The Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967
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