Philip

“No more peeping through keyholes! No more mas turbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young
virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter. I want Madagascan funeral poles, with animal upon animal and at the top Adam and Eve, and Eve with a crude, honest slit between the legs. I want hermaphrodites who are real hermaphrodites, and not make-believes walking around with an atrophied penis or a dried-up cunt. I want a classic purity, where dung is dung and angels are angels. The Bible a la King James, for example. Not the Bible of Wycliffe, not the Vulgate, not the Greek, not the Hebrew, but the glorious, death-dealing Bible that was created when the English
language was in flower, when a vocabulary of twenty thousand words sufficed to build a monument for all time. A Bible written in Svenska or Tegalic, a Bible for the Hottentots or the Chinese, a Bible that has to meander through the trickling sands of French is no Bible-it is a counterfeit and a fraud. The King James Version was created by a race of bone-crushers. It revives the primitive mysteries, revives rape, murder, incest, revives epilepsy, sadism,
megalomania, revives demons, angels, dragons, leviathans, revives magic, exorcism, contagion, incantation, revives fratricide, regicide, patricide, suicide, revives hypnotism, anarchism, somnambulism, revives the song, the dance, the act, revives the mantic, the chthonian, the arcane, the mysterious, revives the power, the evil, and the glory that is God. All brought into the
open on a colossal scale, and so salted and spiced that it will last until the next Ice Age.
A classic purity, then-and to hell with the Post Office authorities! For what is it enables the classics to live at all, if indeed they be living on and not dying as we and all about us are dying? What preserves them against the ravages of time if it be not the salt that is in them? When I read Petronius or Apuleius or Rabelais, how close they seem! That salty tang! That odor of the menagerie! The smell of horse piss and lion’s dung, of tiger’s breath and elephant’s hide. Obscenity, lust, cruelty, boredom, wit. Real eunuchs. Real hermaphrodites. Real pricks. Real cunts. Real banquets! Rabelais rebuilds the walls of Paris with human cunts. Trimalchio tickles his own throat, pukes up his own guts, wallows in his own swill. In the amphitheater, where a big, sleepy pervert of a Caesar lolls dejectedly, the lions and the jackals, the hyenas, the tigers, the spotted leopards are crunching real human boneswhilst the coming men, the martyrs and imbeciles, are walking up the golden stairs shouting Hallelujah!”
― Henry Miller, Black Spring

“Ord Wingate, by his British commander, 'When I read this, I don't know whether to embrace you for your courage, worry about you stealing my job, or court-martial you out of hand for your recklessness.'“ “I”
― David Calder, The Children of the Nakba

“Ah! I intended never never to grow old … Listen: New Year’s Bell!”
― William Roetzheim, The Giant Book of Poetry eBook: The Complete Audio Edition

“Liberated in Germany by the Americans, seven-year-old Valya Brekeleva and her family of slave labourers went home to Novgorod as non-persons. “Most of the people from our village who went to Latvia survived. But most of those who were sent to Germany had died. For those of us who remained, the suspicion was always there.” Most of her family were killed by one side or the other in the course of the war. Her mother died in 1947, worn out by the struggle to keep her daughters alive. She was thirty-six. Her father completed his sentence for “political crimes” and came home from the Urals in 1951, an old man. Even after Valya had completed university and applied for work at a Kazan shipbuilders in the 1960s, when the manager saw that her papers showed her to be an ex-Nazi prisoner he said grimly: “Before we consider anything else, we have got to establish whether you have done damage to the state.”
― Max Hastings, Armageddon