Clare Drummond

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Ghosts in the Sch...
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Jun 23, 2020 10:36PM

 
When Prophecy Sti...
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Rebecca Solnit
“Home is everything you can walk to.”
Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

Rebecca Solnit
“Places matter. Their rules, their scale, their design include or exclude civil society, pedestrianism, equality, diversity (economic and otherwise), understanding of where water comes from and garbage goes, consumption or conservation. They map our lives.”
Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

Rebecca Solnit
“One [project of Teddy Cruz's] is titled Living Rooms at the Border. it takes a piece of land with an unused church zoned for three units and carefully arrays on it twelve affordable housing units, a community center (the converted church), offices for Casa in the church's attic, and a garden that can accommodate street markets and kiosks. 'In a place where current regulation allows only one use,' [Cruz} crows, ' we propose five different uses that support each other. This suggests a model of social sustainability for San Diego, one that conveys density not as bulk but as social choreography.' For both architect and patron, it's an exciting opportunity to prove that breaking the zoning codes can be for the best. Another one of Cruz's core beliefs is that if architects are going to achieve anything of social distinction, they will have to become developers' collaborators or developers themselves, rather than hirelings brought in after a project's parameters are laid out. ”
Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

Kenneth Grahame
“Home! That was what they meant, those caressing appeals, Those soft touches wafted through the air, those invisible little hands pulling and tugging, all one way.”
Kenneth Grahame, The Wind in the Willows

Rebecca Solnit
“An aptitude test established architecture as an alternative [career]. But what decided the matter for [Teddy Cruz] was the sight of a fourth-year architecture student sitting at his desk at a window, drawing and nursing a cup of coffee as rain fell outside. 'I don't know, I just liked the idea of having this relationship to the paper and the adventure of imagining the spaces. That was the first image that captured me.”
Rebecca Solnit, Storming the Gates of Paradise: Landscapes for Politics

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