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The Fifth Season
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by N.K. Jemisin (Goodreads Author)
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— Sep 25, 2026 06:35PM

 
The Hanging Bones
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by Elle Tesch (Goodreads Author)
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Complete Tales an...
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"the mystery of marie roget (work 11 of 123): 3/5. OH piss offffff absolutely pompous shit" — Apr 15, 2026 02:44PM

 
Book cover for The Mimicking of Known Successes (The Investigations of Mossa and Pleiti, #1)
I could not restrain a feeling of warmth as if that were praise or even affection and not merely a statement of fact. Believing in signs of affection from Mossa was a trap, because it led to expecting signs of affection.
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“In today’s crisis of climate destruction, there will be moments – maybe they are happening right now, maybe they happened recently – that will later be narrated as turning points, when the devastating knowledge hits home to a greater and greater number that we are treating the earth as a slave, and that this exploitation is profoundly unethical. We are still seeking a language for this ethics.”
― Isabella Hammad, Recognising the Stranger: On Palestine and Narrative

Jennifer Cody
“My experience of life always includes losing the things that are mine or having them forcibly taken away and being thrown away myself. I wasn’t wanted as a child, I skipped from foster home to foster home, never staying long enough to get settled, and then I aged out of the system into homelessness. I’ve never gotten to keep anything for long—not even friends or family; death has taken all of those types of people away from me—and the worry that I’m about to lose everything I’ve gained since meeting Fox has been hanging out in the back of my head, taking up space, living rent-free.”
― Jennifer Cody, The Trouble With Trying to Save an Assassin

“How many Palestinians, asked Omar Barghouti, need to die for one soldier to have their epiphany?”
― Isabella Hammad, Recognising the Stranger: On Palestine and Narrative

Charles Yu
“Ever since you were a boy, you’ve dreamt of being Kung Fu Guy.
You are not Kung Fu Guy.
You are currently Background Oriental Male, but you’ve been practicing.
Maybe tomorrow will be the day.”
― Charles Yu, Interior Chinatown

“Perhaps a writer doesn’t need to have a clear sense of what her text will do in the world. Perhaps a writer can relax a bit. Perhaps it’s enough to ask a question, and hope, perhaps, to glimpse the meaning of that question in retrospect.”
― Isabella Hammad, Recognising the Stranger: On Palestine and Narrative

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