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The Gentleman and...
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"this about to be the goddamn THING and theyre gonna have to figure out which mother fucker's blood doesnt like electricity" 17 hours, 0 min ago

 
Complete Tales an...
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"a descent into the maelström (work 5 of ?): 3/5. sure why not" 22 hours, 18 min ago

 
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“Perhaps a writer doesn’t need to have a clear sense of what her text will do in the world. Perhaps a writer can relax a bit. Perhaps it’s enough to ask a question, and hope, perhaps, to glimpse the meaning of that question in retrospect.”
Isabella Hammad, Recognising the Stranger: On Palestine and Narrative

“The flow of history always exceeds the narrative frames we impose on it.”
Isabella Hammad, Recognising the Stranger: On Palestine and Narrative

“How many Palestinians, asked Omar Barghouti, need to die for one soldier to have their epiphany?”
Isabella Hammad, Recognising the Stranger: On Palestine and Narrative

“Empires have fallen. The Berlin Wall fell, political apartheid in South Africa did end, and although in neither of these cases were these putative conclusions by any means the end of the story, they are testaments to the fact that, under the force of coordinated international and local action, Israeli apartheid will also end. The question is, when and how? Where in the narrative do we now stand?”
Isabella Hammad, Recognising the Stranger: On Palestine and Narrative

Jennifer Cody
“My experience of life always includes losing the things that are mine or having them forcibly taken away and being thrown away myself. I wasn’t wanted as a child, I skipped from foster home to foster home, never staying long enough to get settled, and then I aged out of the system into homelessness. I’ve never gotten to keep anything for long—not even friends or family; death has taken all of those types of people away from me—and the worry that I’m about to lose everything I’ve gained since meeting Fox has been hanging out in the back of my head, taking up space, living rent-free.”
Jennifer Cody, The Trouble With Trying to Save an Assassin

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