julia

“However, narrating what you remember, telling it to someone, does something else. The more a person recalls a memory, the more they change it. Each time they put it into language, it shifts. The more you describe a memory, the more likely it is that you are making a story that fits your life, resolves the past, creates a fiction you can live with. It’s what writers do. Once you open your mouth, you are moving away from the truth of things. According to neuroscience. The safest memories are locked in the brains of people who can’t remember. Their memories remain the closest replica of actual events. Underwater. Forever.”
― Lidia Yuknavitch, The Chronology of Water

“Your life doesn’t happen in any kind of order. Events don’t have cause and effect relationships the way you wish they did. It’s all a series of fragments and repetitions and pattern formations. Language and water have this in common.”
― Lidia Yuknavitch, The Chronology of Water

“All I do is keep on running in my own cozy, homemade void, my own nostalgic silence. And this is a pretty wonderful thing. No matter what anybody else says.”
― Haruki Murakami, What I Talk About When I Talk About Running

“Maybe women’s divinity wasn’t specific, but merely resided in the fact of their existence. Yes, yes, there was the truth: they existed more than other people, they were the symbol of the thing in the thing itself. And woman was mystery in itself, she discovered. There was in all of them a quality of raw material, something that might one day define itself but which was never realized, because its real essence was “becoming.” Wasn’t it precisely through this that the past was united with the future and with all times?”
― Clarice Lispector, Near to the Wild Heart