Peony

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"Wait! It is a modern book? Holy smokes, it was giving the Hobbit!" 11 hours, 4 min ago

 
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"75% of this book is: crack more jokes. Here’s how to crack jokes. Really, who would enjoy your company if you’re not being funny? Likeability = entertainment value" Dec 14, 2025 09:27PM

 
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“Decisive works of art participate directly in the fabric of history surrounding their maker.”
David Bayles, Art and Fear

Mercedes Lackey
“Sometimes it bothered him, pouncing on a fat two-horn and thinking that this same animal might easily have been one of his pets—sometimes he even had trouble at first nerving himself up to a kill. But then the herd would run, and instinct would take over, and before he knew it he had a mouthful of sweet, tender flesh. Sometimes instinct was awfully hard to fight. The mere sight of a herd-beast running away was enough to set Keman’s tail twitching with anticipation and make him ready to pounce on anything else that moved.”
Mercedes Lackey, The Elvenbane

“It’s easier to paint in the angel’s feet to another’s master-work than to discover where the angels live within yourself...Simply put, art that deals with ideas is more interesting than art that deals with technique.”
David Bayles, Art and Fear

Mercedes Lackey
“Dyran rose slowly, a vermilion scarf in his hand. Every eye in the area was now on him; as host to the conflict, it was his privilege to signal the start of the duel. He smiled graciously, and dropped the square of silk. It fluttered to the sand, ignored, as the carnage began. In the end, even a few of the elven spectators excused themselves, and Serina found herself averting her eyes. She’d had no idea how much damage two blunt instruments could do. But Dyran watched on; not eagerly, as Lady Alinor, who sat forward in her seat, punctuating each blow with little coos of delight—nor with bored patience, as Sandar. But with casual amusement, a little, pleased smile playing at the corners of his mouth, and a light in his eyes when he looked at Alinor that Serina could not read. And when it was over—as it was, quickly, too quickly for many of the spectators—when all of the other elven lords had gone, he made his move. Toward Alinor. A significant touch of his hand on her arm, a few carefully chosen words—both, as if Serina were not present.”
Mercedes Lackey, The Elvenbane

“The human race has spent several millennia developing a huge and robust set of observations about the world, in forms as varied as language, art and religion. Those observations in turn have withstood many — enormously many — tests. We stand heir to an unstatably large set of meanings. Most of what we inherit is so clearly correct it goes unseen. It fits the world seamlessly. It is the world. But despite its richness and variability, the well-defined world we inherit doesn’t quite fit each one of us, individually. Most of us spend most of our time in other peoples’ worlds — working at predetermined jobs, relaxing to pre-packaged entertainment — and no matter how benign this ready-made world may be, there will always be times when something is missing or doesn’t quite ring true. And so you make your place in the world by making part of it — by contributing some new part to the set. And surely one of the more astonishing rewards of artmaking comes when people make time to visit the world you have created. Some, indeed, may even purchase a piece of your world to carry back and adopt as their own. Each new piece of your art enlarges our reality. The world is not yet done.”
David Bayles, Art and Fear
tags: art

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