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In the Skin of a ...
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The Game of Kings
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The Wildes: A Nov...
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"very good so far. i am dying of secondhand embarrassment" Jan 22, 2025 04:53PM

 
See all 5 books that sansian is reading…
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Julia Gfrörer
“There's nothing holy about suffering. The stories of the martyrs illustrate their faith because in spite of what they endured they did not suffer. A saint always dies smiling.”
Julia Gfrörer, Laid Waste

Dorothy Dunnett
“Richard Crawford, his brother’s wrist in his hand, laid it down gently and turned to him. “We are,” he said, “at least no less than the animals. We are members of a race, and of a kingdom, and of a family. The world has borrowed his strength often enough: can we not lend him ours when he needs it? What can be done? What is wrong?”
Dorothy Dunnett, Checkmate

Cathy Park Hong
“The ethnic literary project has always been a humanist project in which nonwhite writers must prove they are human beings who feel pain. Will there be a future where I, on the page, am simply I, on the page, and not I, proxy for a whole ethnicity, imploring you to believe we are human beings who feel pain? I don’t think, therefore I am—I hurt, therefore I am. Therefore, my books are graded on a pain scale. If it’s 2, maybe it’s not worth telling my story. If it’s 10, maybe my book will be a bestseller.”
Cathy Park Hong, Minor Feelings: An Asian American Reckoning

Cathy Park Hong
“Being indebted is to be cautious, inhibited, and to never speak out of turn. It is to lead a life constrained by choices that are never your own. The man or woman who feels comfortable holding court at a dinner party will speak in long sentences, with heightened dramatic pauses, assured that no one will interject while they’re mid-thought, whereas I, who am grateful to be invited, speak quickly in clipped compressed bursts, so that I can get a word in before I’m interrupted.

If the indebted Asian immigrant thinks they owe their life to America, the child thinks they owe their livelihood to their parents for their suffering. The indebted Asian American is therefore the ideal neoliberal subject. I accept that the burden of history is solely on my shoulders; that it’s up to me to earn back reparations for the losses my parents incurred, and to do so, I must, without complaint, prove myself in the workforce.”
Cathy Park Hong, Minor Feelings: An Asian American Reckoning

Cathy Park Hong
“Much of Lahiri’s fiction complies with the MFA orthodoxy of show, don’t tell, which allows the reader to step into the character’s pain without having to, as Susan Sontag writes, locate their own privilege “on the same map” as the character’s suffering. Because the character’s inner thoughts are evacuated, the reader can get behind the cockpit of the character’s consciousness and cinematically see what the character sees without being disturbed by incessant editorializing.”
Cathy Park Hong, Minor Feelings: An Asian American Reckoning

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