Beatriz Miranda

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Letter to His Father
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  (page 50 of 71)
"sinto que isto é todo um rant que podia ter sido escrito no twitter como uma indireta muito direta kk não sei se pela edição ser nova e faltar alguns ajustes ou da própria tradução,, mas se falam de saramago-- aqui a obra não para mesmo, é uma carta infinita realmente rs e fiquei agora a pensar no kafka a escrever os outros livros sempre a pensar no pai....... coitado (só li a metamorfose ainda tho)" Apr 16, 2026 03:48PM

 
Sonetos
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  (page 172 of 192)
""Vivo longe de ti, mas que me importa? / Se eu já não vivo em mim! / Ando a vaguear / Em roda à tua casa, a procurar/ Beber-te a voz, apaixonada, absorta!"

logo depois disto, aparece o poema mais corno de sempre, chamado "o maior bem" kk ide ler... florbela sweety.."
19 hours, 27 min ago

 
Clinical Handbook...
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  (page 211 of 768)
"páginas all wrong né mas comecei agora o tema do primeiro capítulo: perturbação de pânico e agorafobia" Jun 03, 2025 07:56AM

 
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“Someone I loved once gave me a box full of darkness. It took me years to understand that this too, was a gift.”
Mary Oliver

Joan Didion
“Life changes fast. Life changes in the instant. You sit down to dinner and life as you know it ends.”
Joan Didion

Anaïs Nin
“Our love of each other was like two long shadows kissing without hope of reality.”
Anaïs Nin

Margaret Atwood
“What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be.”
Margaret Atwood, The Handmaid’s Tale

Jonathan Safran Foer
“Sometimes I can hear my bones straining under the weight of all the lives I'm not living.”
Jonathan Safran Foer, Extremely Loud & Incredibly Close

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