Shaun Cox

“Nuala, on the other hand, exerts influence over her husband and children primarily through a tendency to become irrationally anxious and ‘upset’. Much of the family life has therefore always been arranged around their collective efforts to prevent Nuala from becoming ‘upset’, which involves concealing from her, by almost any means necessary, the existence of any problems or potential conflicts within the family circle. Nuala lives, to some degree, in a fictitious world acted out for her by a special dramatic troupe consisting of her own children and husband, a world in which none of her loved ones have ever been unhappy, sick, depressed, disappointed, hurt, anxious or frightened. But this, in Anna’s view, has also had the perverse effect of making Nuala feel as if her own anxieties are in fact the only anxieties that anyone on earth has ever experienced, and that her suffering is something she alone, the only unhappy person in a world of thriving and self-confident individuals, can understand.”
― Sally Rooney, Intermezzo

“Language doesn't fit onto reality like a toy fitting into a slot. Reality is actually one thing and language something else.”
― Sally Rooney

“But I will tell you Squire that having read even a few dozen books in common is a force more binding than blood.”
― Cormac McCarthy, The Passenger

“He often makes blithe remarks about things he 'wishes'. I wish you didn't have to go, he says when she's leaving, or: I wish you could stay the night. If he really wished any of those things, Marianne knows, then they would happen. Connell always gets what he wants, and then feels sorry for himself when what he wants doesn't make him happy.”
― Sally Rooney, Normal People