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Nobody's Fool
Shaun Cox is currently reading
by Richard Russo (Goodreads Author)
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  (page 100 of 549)
Jul 29, 2026 05:07PM

 
11/22/63
Shaun Cox is currently reading
by Stephen King (Goodreads Author)
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  (page 425 of 849)
Jul 29, 2026 05:07PM

 
Book cover for Dune (Dune, #1)
“The willow submits to the wind and prospers until one day it is many willows—a wall against the wind. This is the willow’s purpose.”
Shaun Cox
One of the many themes in Dune that I love seeing demonstrated through the narrative over and over is how powerful subtlety and patience can be.
Patty and 2 other people liked this
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Sally Rooney
“He often makes blithe remarks about things he 'wishes'. I wish you didn't have to go, he says when she's leaving, or: I wish you could stay the night. If he really wished any of those things, Marianne knows, then they would happen. Connell always gets what he wants, and then feels sorry for himself when what he wants doesn't make him happy.”
Sally Rooney, Normal People

John Steinbeck
“The works of the roots of the vines, of the trees, must be destroyed to keep up the price, and this is the saddest, bitterest thing of all. Carloads of oranges dumped on the ground. The people came for miles to take the fruit, but this could not be. How would they buy oranges at twenty cents a dozen if they could drive out and pick them up? And men with hoses squirt kerosene on the oranges, and they are angry at the crime, angry at the people who have come to take the fruit. A million people hungry, needing the fruit- and kerosene sprayed over the golden mountains. And the smell of rot fills the country. Burn coffee for fuel in the ships. Burn corn to keep warm, it makes a hot fire. Dump potatoes in the rivers and place guards along the banks to keep the hungry people from fishing them out. Slaughter the pigs and bury them, and let the putrescence drip down into the earth.

There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificate- died of malnutrition- because the food must rot, must be forced to rot. The people come with nets to fish for potatoes in the river, and the guards hold them back; they come in rattling cars to get the dumped oranges, but the kerosene is sprayed. And they stand still and watch the potatoes float by, listen to the screaming pigs being killed in a ditch and covered with quick-lime, watch the mountains of oranges slop down to a putrefying ooze; and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.”
John Steinbeck, The Grapes of Wrath

Sally Rooney
“Not for the first time Marianne thinks cruelty does not only hurt the victim, but the perpetrator also, and maybe more deeply and more permanently. You learn nothing very profound about yourself simply by being bullied; but by bullying someone else you learn something you can never forget.”
Sally Rooney, Normal People

Byung-Chul Han
“In social networks, the function of "friends" is primarily to heighten narcissism by granting attention, as consumers, to the ego exhibited as a commodity.”
Byung-Chul Han, Müdigkeitsgesellschaft

Elena Ferrante
“I understood that I had arrived there full of pride and realized that—in good faith, certainly, with affection—I had made that whole journey mainly to show her what she had lost and what I had won. But she had known from the moment I appeared, and now, risking tensions with her workmates, and fines, she was explaining to me that I had won nothing, that in the world there is nothing to win, that her life was full of varied and foolish adventures as much as mine, and that time simply slipped away without any meaning, and it was good just to see each other every so often to hear the mad sound of the brain of one echo in the mad sound of the brain of the other.”
Elena Ferrante, The Story of a New Name

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