Elizabeth

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L'Île aux musées
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The Tennis Court ...
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Glass, Irony and God
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Fleur Jaeggy
“The bell rings, we get up. The bell rings again, we go to bed. We retire to our rooms; we saw life pass by beneath our windows, observed it in books and on our walks, watched the seasons change. It was always a reflection, a reflection that seemed to freeze on our windowsills... We imagined the world. What else can we imagine now if not our own deaths? The bell rings and it's all over.”
Fleur Jaeggy, Sweet Days of Discipline

Joan Didion
“It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished.
It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.”
Joan Didion, Slouching Towards Bethlehem

Sabahattin Ali
“The road we embark on the day we are born is the road we travel until the day we die, and however we choose to divide it up, it's pure artifice”
Sabahattin Ali, Kürk Mantolu Madonna

Etel Adnan
“Silence is the creation of space, a space that memory needs to use . . . an incubator. We're dealing here with dimensions, stretching our inner muscles, pushing aside any interference. We're dealing with numbers, but not counting. Silence demands the nature of night, even in full day, it demands shadows.”
Etel Adnan, Shifting the Silence

Frank O'Hara
“Light clarity avocado salad in the morning
after all the terrible things I do how amazing it is
to find forgiveness and love, not even forgiveness
since what is done is done and forgiveness isn’t love

and love is love nothing can ever go wrong
though things can get irritating boring and dispensable
(in the imagination) but not really for love
though a block away you feel distant the mere presence
changes everything like a chemical dropped on a paper
and all thoughts disappear in a strange quiet excitement
I am sure of nothing but this, intensified by breathing”
Frank O'Hara

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