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Witness to a Trial
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by John Grisham (Goodreads Author)
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Cocktail Hour Und...
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Playing For Pizza
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Book cover for There's Always This Year: On Basketball and Ascension
I propose, once again, that you are, in part, who loves you. Who might step outside of themselves to find whatever will heal you, return you to a place where you are loved.
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Hanif Abdurraqib
“The seconds after coming to terms with what you thought to be real and what is real are rarely more alarming to me than they are in this mode. There is a video that breaks my heart that you have perhaps seen. A raccoon, overjoyed with the gift of cotton candy, takes its bounty to the water, to wash the food off before consuming it. The raccoon, of course, does not know what any viewer knows. That the ball of sugar will be overtaken by the entry into the water and dissolve into nothing. When this happens, the raccoon becomes frantic and puzzled, feeling around the puddle of water, seeking what was lost, only to be greeted by its own reflection.”
― Hanif Abdurraqib, There's Always This Year: On Basketball and Ascension

Hanif Abdurraqib
“I remember feeling like the concrete was opening up and I know this to be nothing but rage I know this to be what comes after swinging wild punches at the air and imagining the faces of your worst demons the cops the politicians who call the places you love war zones the helicopters that won’t let you sleep that claw through the walls and wake up elders and children and goddamn I remember at my feet that blood-stained concrete just split right in half and opened up and I want a whole city underground if it does not love my people I want to bury the new condo developments instead of my people I want to bury the craft breweries and the barcades and the mixed-use helltowers instead of my people I want the statues melted down I want the mothers of murdered children to do it I want the heat to rise from a statue’s vanishing and last for ten summers I don’t want apologies anymore no not this time I want the mayor to walk through a place he called a war zone at night I want people to get real honest with themselves about what war actually is I want the schools to have heat I want the schools to have air I want the riot gear thrown in the river the river that was blue when I was a boy but now leaves brown streaks as it runs away from the city I want the brown river to carry the riot gear to some other hell and I want the babies to stop passing out in school do you hear me I want a whole city under the ground some days but I at least want the rain I at least want something to wash the blood away so that no one who loved him has to and somewhere beyond the blood what I don’t remember is 5:00 when I learned not to run from the cops and I don’t remember when I first ignored that advice.”
― Hanif Abdurraqib, There's Always This Year: On Basketball and Ascension

Haruki Murakami
“Emotional hurt is the price a person has to pay in order to be independent.”
― Haruki Murakami, What I Talk About When I Talk About Running

Patricia Highsmith
“A selfish, stupid bastard who had sneered at one of his best friends—Dickie certainly was one of his best friends—just because he suspected him of sexual deviation. Tom laughed at that phrase “sexual deviation.” Where was the sex? Where was the deviation? He looked at Freddie and said low and bitterly: “Freddie Miles, you’re a victim of your own dirty mind.”
― Patricia Highsmith, The Talented Mr. Ripley

Haruki Murakami
“When we set off to write a novel, when we use writing to create a story, like it or not a kind of toxin that lies deep down in all humanity rises to the surface. All writers have to come face-to-face with this toxin and, aware of the danger involved, discover a way to deal with it, because otherwise no creative activity in the real sense can take place. (Please excuse the strange analogy: with a fugu fish, the tastiest part is the portion near the poison—this might be something similar to what I’m getting at.)”
― Haruki Murakami, What I Talk About When I Talk About Running

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