“The first sentence of Ralph Waldo Emerson’s that reached me still jolts me every time I run into it. “Meek young men,” he wrote in “The American Scholar,” “grow up in libraries believing it their duty to accept the views which Cicero, which Locke, which Bacon have given, forgetful that Cicero, Locke, and Bacon were only young men in libraries when they wrote those books…”
― First We Read, Then We Write: Emerson on the Creative Process
― First We Read, Then We Write: Emerson on the Creative Process
“John Stuart Mill certainly underwent a spiritual crisis as a young man, which made him unhappy with the colder kinds of rationalism in which he had been instructed by his father. But he never turned toward any idea of God, a conception he regarded as fatuous and unimpressive, not to say self-evidently silly. He turned instead toward a larger and more humane idea of what reform might be, not his father’s ideal of utilitarian measurement but one that took in Mozart, music, love, and literature. He never stopped thinking that alleviating other people’s pain is the first duty of public policy. What liberals have, he thought, is better than a religion. It is a way of life.”
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“Yet however much he read, there were whole categories of books the mature Emerson would not read. He would not read theology or academic controversy. He wanted original accounts, first-hand experience, personal witness. He would read your poem or your novel, but not your opinion of someone else’s poem or novel, let alone your opinion of someone else’s opinion…”
― First We Read, Then We Write: Emerson on the Creative Process
― First We Read, Then We Write: Emerson on the Creative Process
“Skepticism, constant inquiry, fallibilism, self-doubt—these don’t mean not knowing. They mean knowing more all the time. All of the consequences of these values seem “merely” material, but they are what enable us to live a richer life, accept our mortality, and find the path to unselfish attainment. They allow us to pass on a better world to our children—to spend every day, as Mill and Taylor would have wanted, with better music, more poetry, better food, better wine grown in more places.”
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“Planet earth, which Carl Sagan described as a “mote of dust suspended in a sunbeam,” is an evanescent bloom in an exquisite cosmos that will ultimately be
barren. Motes of dust, nearby or distant, dance on sunbeams for merely a moment.”
― Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe
barren. Motes of dust, nearby or distant, dance on sunbeams for merely a moment.”
― Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe
Phil’s 2025 Year in Books
Take a look at Phil’s Year in Books, including some fun facts about their reading.
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