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“Unveiling this woman is revealing her beauty; it is baring her secret, breaking her resistance, making her available for adventure. Hiding the face is also disguising a secret; it is also creating a world of mystery, of the hidden. In a confused way, the European experiences his relation with the Algerian woman at a highly complex level. There is in it the will to bring this woman within his reach, to make her a possible object of possession.
This woman who sees without being seen frustrates the colonizer. There is no reciprocity. She does not yield herself, does not give herself, does not offer herself.”
― A Dying Colonialism
This woman who sees without being seen frustrates the colonizer. There is no reciprocity. She does not yield herself, does not give herself, does not offer herself.”
― A Dying Colonialism
“She is back in the garden of her childhood, back to the native original Hedja, child of nature and succulence and sweets, of pillows and erotic literature.”
― Under a Glass Bell
― Under a Glass Bell
“Her face is white, covered in lime, algae skeletons, beer froth, and sea foam. I stroke her head, smooth and bare and shining: a glistening doorknob without a door.”
― Paradise Rot
― Paradise Rot
“The sky is grey - it's like living inside a pearl today.”
― Public Library and Other Stories
― Public Library and Other Stories
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