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“No legacy is so rich as honesty.”
― All's Well That Ends Well
― All's Well That Ends Well
“Stoner and Masters talked of their teaching and study with the awkward facetiousness of the very serious. Masters, holding aloft a hard-boiled egg from the free lunch as if it were a crystal ball, said, “Have you gentlemen ever considered the question of the true nature of the University? Mr. Stoner? Mr. Finch?” Smiling, they shook their heads. “I’ll bet you haven’t. Stoner, here, I imagine, sees it as a great repository, like a library or a whorehouse, where men come of their free will and select that which will complete them, where all work together like little bees in a common hive. The True, the Good, the Beautiful. They’re just around the corner, in the next corridor; they’re in the next book, the one you haven’t read, or in the next stack, the one you haven’t got to. But you’ll get to it someday. And when you do—when you do—” He looked at the egg for a moment more, then took a large bite of it and turned to Stoner, his jaws working and his dark eyes bright.”
― Stoner
― Stoner
“And to prove to himself the non-existence of God, he now stood in the dining-hall of the city’s most famous hotel, with pigs falling out of his face.”
― The Satanic Verses
― The Satanic Verses
“The memoir is, at its core, an act of resurrection. Memoirists re-create the past, reconstruct dialogue. They summon meaning from events that have long been dormant. They braid the clays of memory and essay and fact and perception together, smash them into a ball, roll them flat. They manipulate time; resuscitate the dead. They put themselves, and others, into necessary context.”
―
―
“The soundtrack to grief isn’t always as dark as the grief itself. Sometimes what we need is something to make the grief seem small, even when you know it’s a lie.”
― They Can't Kill Us Until They Kill Us
― They Can't Kill Us Until They Kill Us
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