Iris

“There are two rooms used as libraries, for which my mother and grandfather keep two separate and opposing systems of organization in their heads—hers by subject, his by the way he feels about the author: Animosity, Betrayed, Curious, Delighted, etc.”
― Samantha Hunt, The Seas

“This story is about stink, after all, a story about rot, about how life grows out of the most fetid-smelling places. I leaned into the wall of the coiled cabin, snail, the body curled in upon itself, spine coiled, a snake lying in wait.”
― Larissa Lai, Salt Fish Girl

“The color blue fills the entire mirror and, watching it, I think that is how a small northern town in America works. It enlists one beautiful thing like the ocean or the mountains or the snow to keep people stuck and stagnant and staring out to sea forever.”
― Samantha Hunt, The Seas

“We can’t stop living. Which means we have to live, which means we are alive, which means we are humans and we are human: some of us are unkind and some of us are confused and some of us sleep with the wrong people and some of us make bad decisions and some of us are murderers. And it sounds terrible but it is, in fact, freeing: the idea that queer does not equal good or pure or right. It is simply a state of being—one subject to politics, to its own social forces, to larger narratives, to moral complexities of every kind. So bring on the queer villains, the queer heroes, the queer sidekicks and secondary characters and protagonists and extras. They can be a complete cast unto themselves. Let them have agency, and then let them go.”
― Carmen Maria Machado, In the Dream House